搜尋:styles 在 繪畫 分類當中

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元趙孟頫書朱子感興詩  卷

元趙孟頫書朱子感興詩  卷

awarded the rank of Duke of Wei and entitled Wenmin. In calligraphy he pursued Jin and Tang styles.....more

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宋四家墨寶 冊 宋蔡襄書尺牘 

宋四家墨寶 冊 宋蔡襄書尺牘 

of calligraphy, Ts'ai Hsiang studied the styles of Yü Shih-nan and Yen Chen-ch'ing of the T'ang.....more

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元高克恭畫春山晴雨 軸

元高克恭畫春山晴雨 軸

, and Juran, attaining the sketchy harmony of their styles. He also excelled at painting bamboo.....more

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清馮翊畫大士像 軸

清馮翊畫大士像 軸

and traditional Chinese styles. Feng I was much admired by his colleagues in the Painting Academy.....more

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元高克恭畫春山晴雨 軸

元高克恭畫春山晴雨 軸

, and Juran, attaining the sketchy harmony of their styles. He also excelled at painting bamboo.....more

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五代南唐周文矩仕女圖 軸

五代南唐周文矩仕女圖 軸

a graceful, waving line. He did not just merely slavishly emulate the styles of the famous painters Wu.....more

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元吳鎮秋江漁隱 軸

元吳鎮秋江漁隱 軸

Wen T'ung (1019-1079). Wu Chen succeeded in absorbing the styles of these previous masters, to which.....more

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元趙孟頫古木散馬圖 卷

元趙孟頫古木散馬圖 卷

. Gifted at depicting horses, he studied the styles of Han Kan (ca. 715-after 781) and Li Kung-lin (1049.....more

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明劉度仿趙承旨長春翠柏 軸

明劉度仿趙承旨長春翠柏 軸

of the styles of Li Chao-tao (ca. 713-741) and Chao Po-chü (1120-1182) to give his refined and detail.....more

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明陸治畫榴花小景 軸

明陸治畫榴花小景 軸

of Sung (960-1279) styles and was therefore admired. In this seemingly simple painting, Lu.....more

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明吳彬仙山高士 軸

明吳彬仙山高士 軸

, turned away from accepted styles. His landscape paintings, which strictly avoided copying old models.....more

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唐周昉畫人物 卷

唐周昉畫人物 卷

Lanterns” attributed to Li Song, except the latter preserves more middle Ming (1368-1644) styles of Tang.....more

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明陳淳崑璧圖 軸

明陳淳崑璧圖 軸

himself to copying the styles on which his own work was based. Using only ink, ch’en has defined.....more

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宋蘇軾書歸去來辭 卷

宋蘇軾書歸去來辭 卷

)as the Four Calligraphic Masters of the Sung Dynasty. Su's calligraphy combined the styles of Wang.....more

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清王翬臨王維山陰霽雪圖 卷

清王翬臨王維山陰霽雪圖 卷

collections of painting and to absorb various styles ancient and contemporary masters. We can no longer.....more

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