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符合的藏品

五代梁關仝秋山晚翠 軸

五代梁關仝秋山晚翠 軸

juts out in the lower part of this painting to attract the viewer’s attention. A path winds its way.....more

1291/1372
宋夏珪溪山清遠 卷

宋夏珪溪山清遠 卷

ir designation "Ma-Hsia." This is the most important surviving work by Hsia Kuei. Hsia's use.....more

1292/1372
宋李公麟畫麗人行 卷

宋李公麟畫麗人行 卷

of Zhang Xuan’s ‘Spring Outing of Lady Guo’”) is very similar in composition to this painting. Though.....more

1293/1372
元趙孟頫窠木竹石 軸

元趙孟頫窠木竹石 軸

basic strokes of standard script. According to Ni Tsan's (1301-1374) colophon, this painting.....more

1294/1372
元趙雍駿馬圖 軸

元趙雍駿馬圖 軸

and capable). Under his father's teaching, Chao Yung became excellent both in calligraphy.....more

1295/1372
元顧安平安磐石 軸

元顧安平安磐石 軸

studied Chao Meng-fu's (1254-1322) writing styles. His ink bamboo painting were executed.....more

1296/1372
元倪瓚江岸望山圖 軸

元倪瓚江岸望山圖 軸

for Ni's friend Wei-yün (Ch'en Ju-yen) as the inscription states is open.....more

1297/1372
元倪瓚松林亭子 軸

元倪瓚松林亭子 軸

不同於前人的全新筆墨。(20110609)&*Less than ten years after Huang Gongwang inscribed poetry on Ni Zan’s “Six.....more

1298/1372
元吳鎮雙松圖 軸

元吳鎮雙松圖 軸

and free. Done in the spring of 1328, this is the earliest dated work among Wu Zhen’s surviving.....more

1299/1372
宋李唐江山小景 卷

宋李唐江山小景 卷

and ink in Li’s “Wind in Pines Among a Myriad Valleys.” This handscroll also features techniques of blue.....more

1300/1372
宋錢選煙江待渡圖 卷

宋錢選煙江待渡圖 卷

Character Classic” and an accession number used for the collection of Xiang Yuanbian’s.....more

1301/1372
宋陳居中文姬歸漢圖 軸

宋陳居中文姬歸漢圖 軸

and Mongolian horses. K'o Chiu-ssu, a Yüan painter, praised Ch'en's works as being.....more

1302/1372
五代後蜀丘文播文會圖 軸

五代後蜀丘文播文會圖 軸

, and, although it appears to be a close copy of Ch'iu Wen-po's work, the period in which.....more

1303/1372
元人宣梵雨花圖 軸

元人宣梵雨花圖 軸

flowers on an Indian monk reciting sûtras. On one side an ape attends reverently.....more

1304/1372
明崔子忠雲中雞犬 軸

明崔子忠雲中雞犬 軸

’ui’s style possesses a unique, almost eccentric quality. 本幅 191.4x84公分、全幅 86公分 類型:繪畫 型式:靜態圖像 崔子忠 .....more

1305/1372

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