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明陸治支硎山圖 軸

明陸治支硎山圖 軸

of granite, creating the unique and beautiful natural formations that inspired Lu Chih's landscape painting.....more

1036/1372
明吳彬畫魚籃觀音 軸

明吳彬畫魚籃觀音 軸

as thought to be a transformation of Kuan-yin. The other story derives from The Stories of Kuan-yin’s.....more

1037/1372
明孫克弘畫盆蘭 軸

明孫克弘畫盆蘭 軸

) was a native of Songjiang. He became an official with his father’s help, but he showed little interest.....more

1038/1372
明陸治飛閣?江圖 軸

明陸治飛閣?江圖 軸

the breadth of Lu Chih’s learning and the maturity of his style at this time.&*  陸治(西元一四九六-一五七六年),江蘇蘇州人.....more

1039/1372
明唐寅山水 軸

明唐寅山水 軸

. The composition here derives from Chou Ch’en’s Visiting at a Mountain Studio. Undated, it was probably.....more

1040/1372
明邊文進胎仙圖 卷

明邊文進胎仙圖 卷

),第四冊,頁40&*故宮書畫圖錄,第十八冊,頁99-104&* 邊文進,生卒年不詳,福建沙縣人。字景昭,永樂(西元一四0三-一四二四年)間召至京師,授武英殿待詔,宣德(西元一四二六-一四三五年)間仍供.....more

1041/1372
明陳洪綬蓮池應化圖 軸

明陳洪綬蓮池應化圖 軸

. Their heavy facial hair and features suggest that they are foreigners. According to the artist’s inscription.....more

1042/1372
清艾啟蒙畫風猩 軸

清艾啟蒙畫風猩 軸

to fine-line style of Sichelbart’s Chinese contemporaries, Tsou I-kuei and Chiang T’ing-hsi. &* 艾啟蒙(西元一七0八.....more

1043/1372
元俞和篆隸千文 冊

元俞和篆隸千文 冊

s personally instructed by Zhao Mengfu (1254-1322), which is why his calligraphy is similar to Zhao’s.....more

1044/1372
明陳淳寫生 卷

明陳淳寫生 卷

-1559), said of Ch’en that he himself could only suffice as Ch’en’s elementary teacher.....more

1045/1372
清郎世寧畫瑪?斫陣圖 卷

清郎世寧畫瑪?斫陣圖 卷

he great victory of Hu-erh-man. In the year 1759, Emperor Kao-tsung wrote a song to record Ma Chang’s.....more

1046/1372
清吳歷雲白山青圖 卷

清吳歷雲白山青圖 卷

and Shanghai. Wu Li’s landscape style was based on a careful study and thorough.....more

1047/1372
宋人山花墨兔 軸

宋人山花墨兔 軸

neck to lift its head and sniff about. We can almost even sense the slight twitching of the rabbit’s.....more

1048/1372
宋人秋荷野鳧圖 軸

宋人秋荷野鳧圖 軸

. The artist captured the bird's character in brush and ink and imbued the painting with the heavy.....more

1049/1372
清畫院畫十二月月令圖四月 軸

清畫院畫十二月月令圖四月 軸

with the depiction of parasols is similar to the style of Ch’en Mei’s figures, indicating that perhaps this painting.....more

1050/1372

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