搜尋:s? 在 繪畫 分類當中

符合的藏品

明沈周畫芝蘭玉樹 軸

明沈周畫芝蘭玉樹 軸

of 1478, he summoned Shen Chou to his I-su Pavilion, where they spent the night.....more

1441/1544
明李士達坐聽松風圖 軸

明李士達坐聽松風圖 軸

Li Shih-ta (17th century) Ming Dynasty Li Shih-ta, sobriquet Yang-huai, was a native of Ku-su.....more

1442/1544
明丁雲鵬畫釋迦牟尼佛 軸

明丁雲鵬畫釋迦牟尼佛 軸

. It is said that he drew lines so thin that they were like silken filaments and that he did not miss.....more

1443/1544
清王翬畫山水 軸

清王翬畫山水 軸

, so it is natural that their styles are similar to one another’s. The use of brush and ink.....more

1444/1544
清王翬倣巨然夏山圖 軸

清王翬倣巨然夏山圖 軸

-yen san-jen, was native to Ch'ang-shu, Kiang-su. In his youth, he studied painting under Wang Chien.....more

1445/1544
清惲壽平竹石枯槎圖 軸

清惲壽平竹石枯槎圖 軸

by simplicity and freshness. His application of colors is so distinguished that it ranks far above.....more

1446/1544
清王原祁晴翠浮嵐 軸

清王原祁晴翠浮嵐 軸

) Lu-t’ai, a native of T’ai-ts’ang, Chiang-su province, was a grandson of the noted artist.....more

1447/1544
清黃鼎溪橋林影圖 軸

清黃鼎溪橋林影圖 軸

the works by the ancient and contemporary masters so that he could paint with various methods, while Huang.....more

1448/1544
清郎世寧八駿圖 軸

清郎世寧八駿圖 軸

a better sense of relative space. In doing so, Castiglione introduced new Western elements.....more

1449/1544
清張庚仿王蒙山水 軸

清張庚仿王蒙山水 軸

clear and without restraint, being somewhere between method and non-method. It is unfortunate that so.....more

1450/1544
清蔣廷錫墨牡丹 軸

清蔣廷錫墨牡丹 軸

executed and done only occasionally. His works were treasures of the Forbidden City, so few examples.....more

1451/1544
五代南唐巨然溪山林藪圖 軸

五代南唐巨然溪山林藪圖 軸

done with moist washes and strokes so that light and shadow merge. Outlines also appear vague.....more

1452/1544
宋范寬雪山蕭寺圖 軸

宋范寬雪山蕭寺圖 軸

. Branches projecting like so many swords and lances, the leafless forms of the trees are imbued.....more

1453/1544
五代南唐李坡風竹 軸

五代南唐李坡風竹 軸

(1279-1368) artist. &*坡石間,墨竹兩竿,臨風搖曳,葉葉相交,似颯颯有聲,曲盡生意。本幅無畫家款印,舊傳為李坡作品。然由土坡至竹叢主幹作明顯之S形構圖,極類本院所藏之文同〈墨竹〉,而焦墨枯.....more

1454/1544
宋范寬秋林飛瀑 軸

宋范寬秋林飛瀑 軸

and powerful brushwork with rich and heavy ink. His compositions were usually straightforward, so.....more

1455/1544

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