搜尋:painting 在 繪畫 分類當中

符合的藏品

清張宗蒼江潮圖 軸

清張宗蒼江潮圖 軸

sobriquet was Huang-ts’un. He excelled at landscape painting and was a student of Huang Ting (1660.....more

556/1951
清王鐸山水 軸

清王鐸山水 軸

still alive, his fame equaled that of Tung Chi-chang (1555-1636). Wang To was good painting too.....more

557/1951
清嚴宏滋採芝仙圖 軸

清嚴宏滋採芝仙圖 軸

the Emperor greatly. The painting represents a female picking the fungus of immortality. Seated on the ground.....more

558/1951
清張成龍仿張僧繇山水 軸

清張成龍仿張僧繇山水 軸

in this picture are rendered in the ‘boneless’ method of landscape painting in which color washes.....more

559/1951
清艾啟蒙畫白鷹 軸

清艾啟蒙畫白鷹 軸

. Especially skilled at painting birds and animals, he was given a third rank title. A tree slants.....more

560/1951
清金廷標畫移桃圖 軸

清金廷標畫移桃圖 軸

’ing-piao excelled at painting figures and flowers. He also was a noted portrait painter. When the Ch.....more

561/1951
清弘?畫村舍怡豐 卷

清弘?畫村舍怡豐 卷

ü-shih. His title of nobility was Beile Prince of Ku-shan. He excelled in both painting.....more

562/1951
明錢旭中流砥柱 軸

明錢旭中流砥柱 軸

-pai, and he was a native of Hangchow, Chekiang. He was good at landscapes and figures. This painting.....more

563/1951
清董邦達三潭印月 軸

清董邦達三潭印月 軸

served on the Board of Rites. He studied the landscape painting of Tung Ch’i-ch’ang (1555-1636.....more

564/1951
宋人畫準提像 軸

宋人畫準提像 軸

of past, present and future. In this painting, the Cundí, framed by a moon-like mandorla.....more

565/1951
藝林清賞 冊 清徐恆蜜蜂芙蓉

藝林清賞 冊 清徐恆蜜蜂芙蓉

painting. He especially admired the styles of Shen Chou and Li Liu-fang of the Ming dynasty, and he a.....more

566/1951
藝林清賞 冊 清楊大璧雲壑奔泉

藝林清賞 冊 清楊大璧雲壑奔泉

of mountains shrouded in mist. This painting has been executed in the style of Mi Fu and Mi Yu-jen.....more

567/1951
明文徵明畫扇 冊 棘枝雙雀

明文徵明畫扇 冊 棘枝雙雀

, his calligraphy style was based on that of Li Ying-cheng and his painting was under Shen Chou’s.....more

568/1951
清永瑢竹溪銷夏 軸

清永瑢竹溪銷夏 軸

to painting and calligraphy. He learned landscape painting from Huang Chien, but was able to establish his.....more

569/1951
宋人集繪 冊 宋李迪秋葵山石

宋人集繪 冊 宋李迪秋葵山石

the left part of the painting. The brushwork is delicate and the scene.....more

570/1951

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