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明吳彬畫羅漢(第四嘎禮嘎尊者)...
(2004年秋),頁99-143。 &* 吳彬(活動於西元一五六八至一六二七年),字文仲,福建莆田人,流居金陵(今南京)。能書善畫,畫山水、佛像、人物皆能自立門戶,造形奇異迥別於前人。山水布置亦新奇而不摹古.....more
- 167/826
明文徵明花卉 冊 芳塘淨植
Shen Chou and was one of the Four Masters of the Ming. Light ink was used to outline a graceful.....more
- 170/826
明陳洪綬畫隱居十六觀 冊 孤往
portraits of T’ao, but used them as mediums for depicting himself. In this one, for example, T’ao.....more
- 171/826
明丁雲鵬畫應真像 軸
as a painter of Buddhist and Taoist subjects in the late Ming dynasty. This painting of lohans is one.....more
- 172/826
明董其昌臨十七帖 卷
to thirty times; this particular scroll also seems to be one of these copies. These scrolls were.....more
- 175/826
董邦達柳浪聞鶯御題 軸
, one of the ten scenic sites of West Lake at Hangchow. The bridge was located outside the Ch’ing-.....more
- 176/826
宋元集繪 冊 宋吳炳榴開見子
. The many seeds of one of the pomegranates are clearly visible. In china these seeds are symbolic.....more
- 178/826
宋元集繪 冊 宋李東寫生秋葵
of a flowering hollyhock with buds, one blossom faces the viewer while the others face.....more
- 179/826
宋元集繪 冊 宋牟仲甫松芝群鹿
of these cautious animals. Thus, this work demonstrates one of the strong points of Sung artists in terms.....more
- 180/826