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符合的藏品
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唐李昭道湖亭遊騎 軸
的顏色。還常再加上泥金的線條，襯在山石輪廓線的內側，特別顯出金碧輝煌的感覺。後人稱為「青綠」山水，為「北宗」所主。這一幅是屬於李家山水法，畫幅右下角有「李昭道畫」的落款。 &*Li Chao-tao.....more
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元趙孟頫書閒居賦 卷
, and in his late years he followed the style of Li Pei-hai. This fu poem is a work of Chao's late years.....more
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宋蕭照畫山腰樓觀 軸
Chao, a native of Hu-ts'e (modern Yang-ch'eng, Shansi), was a learned man who.....more
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宋趙伯駒仙山樓閣 軸
;n and Li Chao-tao was not practiced during the Five Dynasties (906-960) and Northern Sung (960-1127.....more
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元人舊蹟 冊 朱德潤致吳季實教...
. In poetry, He studied that of Li Po; in calligraphy, that of Wang Hsi-chih; and in landscape.....more
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元趙孟頫書晝錦堂記 軸
陽修相州晝錦堂記，結體謹飭內斂，筆墨遒勁秀發，通體氣勢暢旺，深受李北海影響。是其逝世前兩年，六十七歲之作。&*Chao Meng-fu (style name Tzu-ang; sobriquet.....more
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五代南唐趙幹煙靄秋涉圖 軸
抱，此境益為幽深絕塵。舊傳本幅為趙幹之作。 &* Chao Kan, from Chiang-ning (Nanking), served in the Imperial Painting.....more
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五代南唐趙幹煙靄秋涉圖 軸
抱，此境益為幽深絕塵。舊傳本幅為趙幹之作。 &* Chao Kan, from Chiang-ning (Nanking), served in the Imperial Painting.....more
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明陳裸竹溪花塢圖 軸
, calligrapher and painter. His landscape style was after those of Chao Ch’ien-li, Chao Meng-fu and Wen.....more
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宋趙伯駒禹王開山圖 卷
; signature, “Ch’ien-li, Po-chü”. The style, however, is that of a later artist. Chao.....more
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