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宋人法書（三） 冊 宋朱敦儒書...
) was a native of Lo-yang who was also known at the time as Lo-ch'uan hsien-sheng. Of noble and refined character.....more
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宋元集繪 冊 元趙孟頫茅亭松籟
and mountain forms all derive from those of the Li Ch'eng and Kuo Hsi tradition. The peaks were first.....more
- 199/239
宋李公麟畫麗人行 卷
Fu (711-770), who described therein the opulent beauty of the noble ladies of Ch’in, Han, and Kuo.....more
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宋歐陽修集古錄跋 卷
obtained my method of handling the brush from Li Yung, but my characters don't look the same.....more
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五代梁關仝秋山晚翠 軸
, was known along with Li Ch'eng and Fan K'uan as one of the Three Masters. Most works attributed to him.....more
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明唐寅臨水芙蓉圖 軸
masters: in calligraphy he followed Chao Meng-fu, Li Yung and Yen Chen-ching; in painting Chou Ch’en.....more
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五代南唐周文矩仙姬文會圖 卷
。本卷繪春柳臨池，鴛鴦戲波，宮苑內，眾女仙群集文會。通幅皆重彩設色，女幵麗無倫。款繫治平三年，按南唐無此年號，當係後人偽署。&*Chou Wen-chü was a native.....more
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清王翬倣李營丘江干七樹圖 軸
. With the supple brushwork, only the “crab-claw” branches at the left reveal the Li CH’eng and Kuo.....more
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清姚文瀚摹宋人文會圖 卷
appear real and three-dimensional. When Emperor T’ang T’ai-tsung (r. 627-649) was still Prince of Ch.....more
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