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符合的藏品

明董其昌臨顏真卿告身帖 軸

明董其昌臨顏真卿告身帖 軸

散亂為整密,不落顏楷之窠臼。&*Tung Ch'i-ch'ang, a native of Kiangsu, obtained his chin-shih degree in 1589.....more

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明文徵明書七言律詩 軸

明文徵明書七言律詩 軸

, painter, and calligrapher of his day. His fame equaled that of Tung Ch'i-ch'ang. Wen modeled his small.....more

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清惲壽平寫生墨妙 冊 菊花

清惲壽平寫生墨妙 冊 菊花

of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked as a leading painter.....more

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名畫琳瑯 冊 明姚綬竹樹春鶯

名畫琳瑯 冊 明姚綬竹樹春鶯

sobriquets was Yün-tung i-shih. He excelled at poetry and his collected poems may be found.....more

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墨林拔萃 冊 元方從義惠山舟行圖

墨林拔萃 冊 元方從義惠山舟行...

騰,小舟揚帆,岸樹隨風搖曳,充滿飛動氣勢。全幅筆墨運轉快意,墨法酣暢,率略簡遠。&*Fang Ts'ung-I, a nation of Kiangsi, became a Taoist.....more

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明陳嘉言端陽景 軸

明陳嘉言端陽景 軸

with the holiday. This painting was rendered using the hsieh-i, or free brush method. The painter used dots.....more

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清鄒一桂畫芙蓉 軸

清鄒一桂畫芙蓉 軸

霜寒,畫上題詩所謂「拒霜」,即其別名。&* Tsou I-Kuei, a native of Kiangsu province, excelled at flower paintings.....more

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明董其昌倣顏真卿書 軸

明董其昌倣顏真卿書 軸

,但結字秀美,字間行距特別寬綽,是他自己特有的風格。 &* Tung ch’i-ch’ang was a native of Hua-t’ing (modern Shanghai) and a chin.....more

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明顧懿德春綺圖 軸

明顧懿德春綺圖 軸

talking leisurely, lie half-hidden by the thick forest. In his landscapes Ku I-te (whose style name.....more

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明項聖謨三祝圖 軸

明項聖謨三祝圖 軸

Yüan-pien. His tzu (style name) was K’ung-chang, his hao (sobriquets) I-an and Hsü-shan-ch.....more

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清顧大申秋日山居圖 軸

清顧大申秋日山居圖 軸

seems to have evolved from that of Tung Ch’i-ch’ang (1555-1636), but is neater and more precise.....more

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清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

strokes in painting the mountains is especially successful. Wang Yüan-ch’i painted the landscape.....more

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清董邦達蘇堤春曉 軸

清董邦達蘇堤春曉 軸

and later served as minister of the Board of Rites. He started his landscape paintings with Tung Ch’i-ch’ang.....more

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清董邦達南屏晚鐘 軸

清董邦達南屏晚鐘 軸

paintings with Tung Ch’i-chang of the Ming dynasty as his model. He captured the brushwork.....more

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清王原祁山川煥采圖 軸

清王原祁山川煥采圖 軸

發,層次分明,結構嚴謹。畫山畫樹,狀似草草,而筆墨精練,實從錘鍊中出也。&* Wang Yűan-ch’i, a native of Kiangsu province.....more

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