搜尋:i shih shih 在 繪畫 分類當中

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披薰集古 冊 明丁雲鵬太極真隱

披薰集古 冊 明丁雲鵬太極真隱

。」故知此幀為丁氏西元一五八九年之作,時年四十三歲。 Ting Yün-p'eng (style name Nan-yu; sobriquet Sheng-hua chü-shih.....more

16/197
清?殘山高水長圖 軸

清?殘山高水長圖 軸

Chien-chiang, Shih-t’ao, and Pa-ta-shan-jen, Shih-hsi is known as one.....more

17/197
清王原祁倣米芾雲山 軸

清王原祁倣米芾雲山 軸

. A grandson of Wang Shih-min (1592-1680), Wang Yűan-ch’i is included among the Four Great Masters of the Ch.....more

18/197
清王原祁畫山水 冊 仿米氏雲山

清王原祁畫山水 冊 仿米氏雲山

Shih-min (1592-1680), Wang Yűan-ch’i is included among the Four Great Masters of the Ch’ing Dynasty.....more

19/197
清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

-shih examination. Basing his painting style on those Tung Ch’i-ch’ang (1555-1636) and his father, he.....more

20/197
名人畫扇(下) 冊 清上睿山水

名人畫扇(下) 冊 清上睿山水

at the Tung-ch’an Temple. He organized a poets’ association with Hui Shih-ch’i and Chang Ta-shou.....more

21/197
漢史晨前碑 軸

漢史晨前碑 軸

。 &*The Shih Ch’en stele is in the Temple of Confucius at Ch’ü-fu, Shantung. The stone, engraved on .....more

22/197
明姚綬畫寒林?鵒 軸

明姚綬畫寒林?鵒 軸

ün-tung I-shih. At the beginning of the Ch’eng-hua period (1465-1488) he was a District Prefect.....more

23/197
明姚綬畫竹 軸

明姚綬畫竹 軸

-shou; his sobriquets, Ku-an and Yun-tung-I-shih. In the mid-1460s he served as prefect of Yung-ning.....more

24/197
清董邦達南屏晚鐘 軸

清董邦達南屏晚鐘 軸

was a native of Fu-yang, Chekiang Province. He received the chin-shih degree in 1733 and afterward.....more

25/197
清方琮石壁秋林 軸

清方琮石壁秋林 軸

contemporaries Li Shih-cho and Fang Shih-shu. All there employed a style clearly evolved from the dry-brush.....more

26/197
清張照書御製芝蘭曲 軸

清張照書御製芝蘭曲 軸

。&*Chang Chao (style name Te-t'ien; sobriquets Ching-nan, Wu-ch'uang, and T'ien-p'ing Chü-shih.....more

27/197
披薰集古 冊 明文徵明山水

披薰集古 冊 明文徵明山水

;n-sheng and Heng-shan chü-shih. He later used “Cheng-ming” as his personal name. Excelling.....more

28/197
清赫奕煙江漁艇 軸

清赫奕煙江漁艇 軸

。&* The exact birth and death dates of Ho I (sobriquet Tan-shih) are unknown, though he is known to have been.....more

29/197
清王原祁畫中有詩圖 軸

清王原祁畫中有詩圖 軸

、吳歷等來訪,而吳歷不至王所已二十年。佳節相逢,與會可想,因作此圖。筆墨精妍,設色雅澹,滿紙韶秀之氣,異於他作。氣機之間,大與墨井相近。是鷺臺經構。 &*Wang Yűan-ch’i, style.....more

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