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符合的藏品

清惲壽平燕喜魚樂 軸

清惲壽平燕喜魚樂 軸

essayist and poet of the Six Gentleman of P’i-ling. Considered one of the Six Masters of Early Ch’ing.....more

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清鄭汝器(簠)隸書 軸

清鄭汝器(簠)隸書 軸

碑,益得樸拙奇古之妙。細觀此書,筆墨圓潤,運筆起伏,波撇誇張,筆法結字亦變化多端。通篇筆勢行氣連貫,縱橫俯仰,極具氣韻飛揚之勢。 &*Cheng Fu (style name Ju-chi.....more

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清王原祁仿黃公望秋山 軸

清王原祁仿黃公望秋山 軸

識,王氏平生並未見過黃公望的秋山圖,此圖乃其懸揣之作。全作的筆墨、設色、章法無不妙絕,為麓臺精品。本幅作於丁亥(一七0七)秋日,王氏時年六十六歲。 &* Wang Yűan-chi.....more

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清王原祁倣黃公望秋山圖 軸

清王原祁倣黃公望秋山圖 軸

Minister of Revenue. Wang Yűan-chi studied painting in his family and his abilities far surpassed.....more

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歷朝畫幅集冊 冊 宋惠崇秋浦雙鴛

歷朝畫幅集冊 冊 宋惠崇秋浦雙...

scholar-officials, such as Wang An-shih (1021-1086), who wrote, “Hui-ch'ung is a figure I admire most.....more

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宋人畫童真像 軸

宋人畫童真像 軸

the stage of child-1ike innocence T'ung-chen."In the Vimalakírti-nirdeša sûtra (part I I, ch.5.....more

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清鄒一桂秋塘釣艇圖 軸

清鄒一桂秋塘釣艇圖 軸

。 &* Tsou I-kuei, style name Yüan-pao, sobriquets Hsiao-shan, Erh-chih, and Jang-ch’ing, was a native.....more

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明董其昌夏木垂陰圖 軸

明董其昌夏木垂陰圖 軸

, yielding a remarkably good painting. Tung Chi-ch’ang (style name Hsüan-tsai.....more

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明董其昌書杜甫謁玄元皇帝廟詩 軸

明董其昌書杜甫謁玄元皇帝廟詩 ...

,字字肉豐而力沉,不特得徐浩之法,兼得歐顏之神。雖未署年,然以筆力之沉穩,與筆劃澀進抖動之態推斷,應為晚歲經意之作。&*Tung Ch'i-ch'ang (1555-1636) was a native.....more

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明史端木仿黃公望山水 軸

明史端木仿黃公望山水 軸

was in fact quite intelligent. Therefore, he chose the sobriquets Ch’ih-weng (Dotard), Ch’ih-hsien.....more

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清董邦達翠岩紅樹御題 軸

清董邦達翠岩紅樹御題 軸

in the Ministry of Rites. His landscape paintings were greatly influenced by Tung Ch'i-ch'ang. In this work.....more

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清郎世寧畫白鷹 軸

清郎世寧畫白鷹 軸

of the thirtieth year of the Ch’ien-lung emperor’s reign (i.e., 1765), the subject official A-yü.....more

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清馮翊畫大士像 軸

清馮翊畫大士像 軸

圓內,勾畫二十四臂觀音,手執法器端坐蓮座,天空中祥雲髣髴,花雨紛飛,諸鬼、天神,菩薩簇擁前進,人物用筆細若毫絲,而遒勁生動不失,且能各具表情,此亦可見他畫技的精湛與純熟。 &*Feng I.....more

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清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

examination. Basing his painting style on those Tung Chi-ch’ang (1555-1636) and his father, he.....more

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清董邦達西湖十景 卷

清董邦達西湖十景 卷

followed Tung Chi-ch’ang’s style and achieved the manner of Yüan painters, excelling at purity.....more

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