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清馬元馭花卉 冊 牡丹

清馬元馭花卉 冊 牡丹

-hsi; sobriquets Ch’i-hsia and T’ien-yü shan-jen) was the son of the Ma Mei and a native of Ch.....more

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清馬元馭花卉 冊 梅花山茶

清馬元馭花卉 冊 梅花山茶

üan-yü (1669-1722) Ch’ing Dynasty Ma Yüan-yü (tzu Fu-hsi, hao Ch’i-hsia and T’ien-y.....more

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元人太行雪霽圖 軸

元人太行雪霽圖 軸

of brushwork from the later Ma-Hsia school of the Southern Sung.&*1.〈元人太行雪霽圖〉,收入陳階晉、賴毓芝主編,《追索浙派》(臺北.....more

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明吳彬畫羅漢 軸

明吳彬畫羅漢 軸

is dated 1601 and indicates the work was in the Ch’i-hsia Temple. 本幅 151.1x80.7公分、全幅 91公分 明神宗萬曆二十九年(1601.....more

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明戴進畫紈牛 軸

明戴進畫紈牛 軸

himself after the Sung academic painters Ma Yüan and Hsia Kuei, and his landscapes often.....more

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明周臣山亭納涼圖 軸

明周臣山亭納涼圖 軸

dynasty masters Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. Chou’s experienced brush.....more

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明周臣松泉詩思 軸

明周臣松泉詩思 軸

-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia.....more

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明丁雲鵬三生圖 軸

明丁雲鵬三生圖 軸

-hsia where they encountered a woman carrying a jug of water on her back. Yüan-kuan said.....more

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明周臣松窗對奕圖 軸

明周臣松窗對奕圖 軸

on the works of the Sung masters Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. Chou’s mature.....more

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明尤求書閣早梅 軸

明尤求書閣早梅 軸

;an and Hsia Kuei. &*1.〈明尤求書閣早梅〉,收入國立故宮博物院編輯委員會編,《春景山水畫特展圖錄》(臺北:國立故宮博物院,1987年一月初版),頁55-56。 本幅 104.8x38公分.....more

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明戴進山水圖 軸

明戴進山水圖 軸

reflects a style derived from that of the Southern Sung (1127-1279) masters Ma Yüan and Hsia Kuei.....more

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明戴進撫松觀瀑 軸

明戴進撫松觀瀑 軸

;an and Hsia Kuei combined with the Li Ch’eng and Kuo Hsi tradition of the Yüan. He is considered.....more

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明戴進牧牛圖 軸

明戴進牧牛圖 軸

on the style of Ma-Hsia of the Southern Sung and became the major figure of the Che school in the Ming.....more

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宋馬遠畫王羲之玩鵝圖 軸

宋馬遠畫王羲之玩鵝圖 軸

differ from those of Ma. The style of Ma Yüan and Hsia Kuei was revived in 15th-century Ming.....more

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宋馬遠板橋踏雪圖 軸

宋馬遠板橋踏雪圖 軸

landscapes and is commonly associated with his contemporary Hsia Kuei (f1.1195-1224). In a valley deep.....more

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