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元人春山圖　軸

of Kuo Hsi. At the top of the scroll is an inscription by Yang Wei-chen. The brushwork is archaic.....more

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, are stylistically related to the Li Ch'eng-Kuo Hsi tradition of the Northern Sung. Behind.....more

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-hsi Emperor (r.1662-1722) was especially fond of discussing calligraphy with him, resulting in h.....more

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the emperor’s own. Thus, it reveals Kao-tsung’s lineage in the calligraphic style of Wang Hsi-chih. 本幅 99.....more

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(by Wang Hsi-chih, the calligrapher most admired by the Emperor). Among the five figures here, the simple.....more

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name Shun-chü; sobriquets Yü-t'an and Cha-hsi-weng) was a native.....more

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Hangchow, and was therefor called "Liu of Ch'ing-po" and " Liu of the Dark Gate." Durung the Ch'un-hsi.....more

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. With the supple brushwork, only the “crab-claw” branches at the left reveal the Li CH’eng and Kuo.....more

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to the form of representation in Li T'ang's “Windy Pines Among a Myriad Valleys” from 1124.....more

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聲。 Li T'ang, a native of Ho-yang, is also said to have lived from about 1070 to after 1150. He.....more

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聲。 Li T'ang, a native of Ho-yang, is also said to have lived from about 1070 to after 1150. He.....more

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