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符合的藏品

明唐寅品茶圖 軸

明唐寅品茶圖 軸

, and dots of foliage are all painted with the brush held at right angles to the paper; the ink tones.....more

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明陸治丹楓秋色 卷

明陸治丹楓秋色 卷

, dots, and washes all appear natural and therefore in harmony with the spirit of Yüan (1279-1368.....more

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清石谿茂林秋樹 卷

清石谿茂林秋樹 卷

and the leaves range from dark to light, covering almost all of the space. The leaves.....more

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宋人花王圖 軸

宋人花王圖 軸

a sense of oppressiveness or overbearing at all, making this work quite unusual.&*庭院中,一株牡丹正綻放著碩大的花朵。花色呈.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

the signature, “Painted in 1207 by Liu Sung-nien” The brushwork in all three is quite similar.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

is identical to that on the first scroll. All three scrolls bear the seals.....more

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明唐寅山水 卷

明唐寅山水 卷

characterized Shen Chou’s impact on the younger generation: “All of the famous scholars of the time, like.....more

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宋元集繪 冊 元趙孟頫茅亭松籟

宋元集繪 冊 元趙孟頫茅亭松籟

and mountain forms all derive from those of the Li Ch'eng and Kuo Hsi tradition. The peaks were first.....more

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歷朝名人圖繪  冊 無款遠水揚帆

歷朝名人圖繪  冊 無款遠水揚...

breeze may be discerned as the leaves, reeds and sails all bend and sway in one direction.....more

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明戴進渭濱垂釣圖 軸

明戴進渭濱垂釣圖 軸

a volumetric effect. The trees, rocks, and figures are all in the style associated with Tai Chin.....more

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清王原祁華山秋色 軸

清王原祁華山秋色 軸

-ch'i's use of heavy ink enabled him to unite all parts of the painting into a total image.....more

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清花卉畫冊 冊 清惲壽平牡丹

清花卉畫冊 冊 清惲壽平牡丹

with the master Wang Hui (1632-1717), turning to flowers instead. His style traces all the way back.....more

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清姚文瀚摹宋人文會圖 卷

清姚文瀚摹宋人文會圖 卷

of colors was pure and beautiful. Regardless of whether painting figures or furniture, they all.....more

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清金廷標畫墨牡丹 軸

清金廷標畫墨牡丹 軸

and the other closed. All of them are depicted with full liveliness. &*金廷標(活動於1760-1778),字士揆,浙江烏程(今湖州)人,兼工.....more

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明祝允明詩帖 卷

明祝允明詩帖 卷

-shan,” all composed by Chu. Wielding the brush in cursive script on sutra paper, it reveals.....more

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