搜尋:a kao 在 繪畫 分類當中

符合的藏品

清董誥夏山十幀 冊 松巖銷夏

清董誥夏山十幀 冊 松巖銷夏

逸景況。本幅選自「夏山十幀」冊第二幅。 Pines and Cliffs in Summer Tung Kao (1740-1818) Ch’ing Dynasty Tung Kao (style.....more

1/93
名繪集珍 冊  唐戴嵩乳牛圖

名繪集珍 冊  唐戴嵩乳牛圖

Emperor Kao-tsung (r. 1127-1162), indicating that characters were probably written by him. 本幅 21.4x45.....more

2/93
宋人畫千手千眼觀世音菩薩 軸

宋人畫千手千眼觀世音菩薩 軸

and arms comes from esoteric Buddhism, which entered T'ang China under Kao-tsu(r.618-626). The top.....more

3/93
宋人畫千手千眼觀世音菩薩 軸

宋人畫千手千眼觀世音菩薩 軸

and arms comes from esoteric Buddhism, which entered T'ang China under Kao-tsu(r.618-626). The top.....more

4/93
清唐岱孫祐沈源周鯤丁觀鵬等畫院本新豐圖 軸

清唐岱孫祐沈源周鯤丁觀鵬等畫院...

) Emperor Kao-tsu (r.206-1958B.C.) of the Han dynasty, was a native of Fang. Later he established his.....more

5/93
名人畫扇 (甲) 冊 清李炳高簡王武合作三友圖

名人畫扇 (甲) 冊 清李炳高簡...

the pine, Li Yin did the plum, and Kao Chien added the bamboo. Wang and Kao were both active in the early.....more

6/93
名繪集珍 冊 宋賈師古巖關古寺

名繪集珍 冊 宋賈師古巖關古寺

〉,《元代皇室書畫收藏史略》(台北:國立故宮博物院,1981),頁93-99。 註4:翁同文,〈圖繪寶鑑竄改舊文致誤舉例〉,《藝林叢考》(台北:聯經出版事業公司,1977),頁61。 註5:同註4。 註6.....more

7/93
宋燕文貴奇峰萬木 冊頁

宋燕文貴奇峰萬木 冊頁

painting under Ho Hui. His abilities were noticed by the academician Kao I, who then introduced him.....more

8/93
宋高宗書女孝經馬和之補圖上卷 卷

宋高宗書女孝經馬和之補圖上卷 ...

Works. Noted for his fine brushwork and scholarly style, he had a unique style of painting. Emperor Kao.....more

9/93
清高其佩八駿圖 軸

清高其佩八駿圖 軸

馬 圉人 國立故宮博物院 石渠寶笈初編(重華宮),下冊,頁814&*故宮書畫錄(卷八),第四冊,頁99&*故宮書畫圖錄,第十一冊,頁27-28&* 高其佩(西元一六七二至一七三四年),東北遼陽人,隸.....more

10/93
元高克恭林巒?雨圖 軸

元高克恭林巒?雨圖 軸

所作,畫溪邊小景,雲氣濛濛,舟子身著蓑衣正欲撐舟泊岸,溯溪而上,有茅屋三椽,遠山罩於雨霧中。整幅用筆佈墨甚為含蓄蘊藉,畫風近於明。&*Kao K'o-kung's ancestors were.....more

11/93
元人秋林瑞靄 軸

元人秋林瑞靄 軸

of Kao K'o-kung (1248-1310). Here, however, the brushstrokes are slightly weaker and the gradation.....more

12/93
清董誥畫寶檻天香 軸

清董誥畫寶檻天香 軸

, the “king of flowers,” symbolizes wealth and auspiciousness. Tung Kao has used the unoutlined.....more

13/93
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

、米友仁以點為主的平淡風格,但本畫氣勢雄渾的大山,則已融入北宋巨障山水,畫法也多採直接的素描,可見他對既有典範規矩的開放態度。&*Kao K'o-kung, of Uighur descent from.....more

14/93
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

、米友仁以點為主的平淡風格,但本畫氣勢雄渾的大山,則已融入北宋巨障山水,畫法也多採直接的素描,可見他對既有典範規矩的開放態度。&*Kao K'o-kung, of Uighur descent from.....more

15/93
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