搜尋:Style I 在 繪畫 分類當中

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清朱若極梅竹 軸

清朱若極梅竹 軸

。 &* Shih-t’ao, a native of Kweilin in Kwangsi, was the style name of Chu Juo-chi. A Ming imperial.....more

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宋牟益擣衣圖 卷

宋牟益擣衣圖 卷

物樹木屋宇雜物,無一不精。眉宇之間,多有愁思之意,蓋天風漸寒,裁衣寄遠,固有懷思未能止也。 &*Mou I (style-name Te-hsin) was a native of Szechuan.....more

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宋人子孫和合圖 軸

宋人子孫和合圖 軸

of the rectangular stool is done with coir palm fiber and the legs are open and have ju-i feet.....more

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明沈周鳩聲喚雨 軸

明沈周鳩聲喚雨 軸

Chou, style name Ch’i-nan, sobriquets Shih-t’ien and Pai-shih-weng, was a native of Ch’ang-chou.....more

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清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

營位置。可學而至。荒率蒼莽。不可學而至。思翁得力處。全在於此。此圖余倣其意。」 (20110609)&*Wang Yuanqi (style name Maojing, sobriquet Lutai.....more

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清惲壽平竹石枯槎圖 軸

清惲壽平竹石枯槎圖 軸

of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked as a leading painter.....more

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董邦達柳浪聞鶯御題 軸

董邦達柳浪聞鶯御題 軸

and a high official at court. In painting, he followed the style of Tung Ch’i-ch’ang, achieving.....more

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宋錢選畫時苗留犢圖 卷

宋錢選畫時苗留犢圖 卷

of that scene.  Ch'ien Hsüan was a "left-over (i-min)" painter of the Sung dynasty who lived.....more

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明董其昌臨褚遂良蘭亭敘 冊

明董其昌臨褚遂良蘭亭敘 冊

亭非不正,其縱宕用筆處,無跡可尋,若形模相似,轉去轉遠。」本冊行間佈置不類原帖,而用筆則深得王褚靈秀之意。&*Tung Ch'i-ch'ang, a native of Kiangsu, served.....more

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明陸治雪窗見易圖 軸

明陸治雪窗見易圖 軸

for a friend, representing a cold wintry scene. The subject and style both derive from those of Wen Cheng.....more

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清王原祁仿王蒙夏日山居圖 軸

清王原祁仿王蒙夏日山居圖 軸

。 &*Wang Yűan-ch’i (style name Mao-ching; sobriquet Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu. He.....more

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宋法常寫生 卷

宋法常寫生 卷

style, even close examination of the brushwork reveals no trace of stiffness. Signed “Mu-ch’i.....more

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清王原祁倣黃公望秋山圖 軸

清王原祁倣黃公望秋山圖 軸

i, a native of Kiangsu province, was the grandson of the painter Wang Shih-min. He served as V.....more

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元趙奕畫大士像 軸

元趙奕畫大士像 軸

上,躬身作揖,狀甚禮敬。此係出自﹝華嚴經﹞善財童子五十三參之一,善財參訪觀音,向其問道的情景。&*Chao I, style name Chung-Kuang, was a native of Wu.....more

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明文徵明倣王蒙山水 軸

明文徵明倣王蒙山水 軸

) Ming Dynasty This handscroll was painted after Wang Meng’s landscape style. The composition.....more

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