搜尋:Style I 在 繪畫 分類當中

符合的藏品

清高其佩八駿圖 軸

清高其佩八駿圖 軸

間閒聊。畫法則以指代筆,畫來形體雖與用筆無異,惟線條則較一般用筆尖削,敷染略具光影效果,馬之圓渾體形,是刻意強化處。 &* Kao Ch’i-p’ei (style name Wei-chih.....more

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清馬元馭畫花卉 冊 桑椹蠶蛾

清馬元馭畫花卉 冊 桑椹蠶蛾

; (1669-1722) Ch’ing dynasty Ma Yüan-yü, was a native of Ch’ang-shu, Kiangsu. His style name.....more

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清鄒一桂畫墨梅 軸

清鄒一桂畫墨梅 軸

應皇帝旨意而畫,循規蹈矩不敢肆意放手,所以,作品多是用筆工整,用墨潔淨,著色穠艷,反失去一種平實眞率、自然生動的韻致。有時隨興戯筆的,卻有不少佳作。 &* Tsou I-kuei (tzu Y.....more

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清宋駿業林亭煙岫 軸

清宋駿業林亭煙岫 軸

in Kiangsu province, Sung Chun-yeh’s style-name was Shen-ch’iu, and his sobriquet was Chien-ch’i. During.....more

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清董邦達居庸疊翠圖 軸

清董邦達居庸疊翠圖 軸

the style of Tung Ch’i-ch’ang, achieving the manner of Yüan artists with clarity and elegance. The Ch.....more

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清郎世寧畫松鳥 軸

清郎世寧畫松鳥 軸

of Chinese painting techniques to create a style fusing the best of both traditions. He excelled.....more

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元方從義山陰雲雪 軸

元方從義山陰雲雪 軸

、峰巒都賦予不同的表現和質感。筆中飽含著水份,雲煙像是隨著水份在浮昇幻動。這幅畫的畫面雖然不大,卻表現出耐人尋味的墨韻。&*Fang Ts'ung-i was a native of Kuei-hsi.....more

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民國吳淑娟西湖圖 軸

民國吳淑娟西湖圖 軸

, Wu followed the family style, and her landscape and bird-and-flower painting achieved considerable.....more

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元馬琬秋山行旅 軸

元馬琬秋山行旅 軸

,第五冊,頁99-100&*馬琬(活動於西元一三四二—一三六六年),金陵人,字文璧,號魯飩。善山水,工詩、書、畫。每遇佳山水,必託之毫素。有董源、米芾之法,輒自題其左,時號三絕。 崇山疊巒,行旅騎驢荷物.....more

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唐戴嵩鬥牛圖 卷

唐戴嵩鬥牛圖 卷

also excelled at depicting the scenery of rustic life. Tai Sung and his younger brother (Tai I.....more

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元趙雍江山放艇圖 軸

元趙雍江山放艇圖 軸

Yung, a son of Chao Meng-fu, had the style name Chung-mu. He led a career as a government official.....more

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明董其昌畫山水 軸

明董其昌畫山水 軸

之刻畫。壬子(一六一二)年,為陳廉(明卿)作此圖,時董氏五十八歲,後來此圖轉歸王時敏(遜之)收藏。 &* Tung Ch'i-ch'ang (style name Hsüan-tsai.....more

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明趙左秋林書屋圖 軸

明趙左秋林書屋圖 軸

Hsü and followed the style of Tung Yüan with a touch of those of Ni Tsan and Huang Kung.....more

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明陳祼洗硯圖 軸

明陳祼洗硯圖 軸

the late Wan-li, T’ien-ch’i and Ch’ung-chen reigns (ca. 1610-1644) he lived in Suchou and associated.....more

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明張瑞圖書後赤壁賦 冊

明張瑞圖書後赤壁賦 冊

, and Tung Ch'i-ch'ang as one of the Four Great Calligraphers of the Late Ming. In calligraphy.....more

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