搜尋:Ming 在 繪畫 分類當中

符合的藏品

明朱芾蘆洲聚雁圖 軸

明朱芾蘆洲聚雁圖 軸

。 &*Geese amid Rushes Chu Fu (fl. 1368-1398) Ming Dynasty Chu Fu had tzu (style name) Meng-pien and hao.....more

676/885
明邵彌畫蓮華大士像 軸

明邵彌畫蓮華大士像 軸

. 1593-1642) Ming Dynasty Shao Mi, a native of Soochow, was gifted at poetry, prose, calligraphy.....more

677/885
明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

of Wen Cheng-ming Sun Chih is often considered Wen Cheng-ming’s most prominent follower, and all.....more

678/885
明吳彬畫魚籃觀音 軸

明吳彬畫魚籃觀音 軸

Basket Wu Pin (fl. 1568-1627) Ming Dynasty Wu Pin was a native of Fukien who settled in Nanking. He.....more

679/885
明陸治花谿漁隱 軸

明陸治花谿漁隱 軸

Cheng-ming and Wang Meng (1308-1385), whose artistic quest for the Peach Blossom Spring.....more

680/885
明陳洪綬畫卷石山茶 軸

明陳洪綬畫卷石山茶 軸

transforms his subjects for an unusual effect. For this reason, this innovative artist of the late Ming.....more

681/885
明施餘澤拜石圖 軸

明施餘澤拜石圖 軸

being quite exaggerated. It thus reflects the late Ming trend of using eccentricity for archaic effect.....more

682/885
明沈周江山清遠圖 卷

明沈周江山清遠圖 卷

筆墨上缺少了一份揮灑淋漓的韻致。&*Clear Distance over Rivers and Mountains Shen Chou (1427-1509) Ming Dynasty Shen.....more

683/885
明陳洪綬喬松仙壽圖 軸

明陳洪綬喬松仙壽圖 軸

early years he called himself Lotus Novitiate and later, Old Lotus; after the fall of the Ming in 1644.....more

684/885
明沈周溪橋訪友 軸

明沈周溪橋訪友 軸

truly individual. Shen Chou is considered one of the Four Masters of the Ming. A scholar with hat.....more

685/885
清傳綮寫生 冊 白梅

清傳綮寫生 冊 白梅

立不群的性情。白梅以外的餘白幾乎佔據全幅過半,幸而右上角自題七絕一首,適時穏定了畫面的均衡之勢。(20110102)&*Chuanqi was a descendant of the Ming.....more

686/885
清石谿茂林秋樹 卷

清石谿茂林秋樹 卷

a monk at the end of the Ming. Traveling extensively, his landscape paintings were noted.....more

687/885
明彭年錢榖鶴林玉露一則書畫合璧 卷

明彭年錢榖鶴林玉露一則書畫合璧...

. A student of Wen Cheng-ming (1470-1559), he excelled in landscape painting. P’eng Nien also was a native.....more

688/885
元龔開鍾進士移居圖 卷

元龔開鍾進士移居圖 卷

of literature, lanterns, ladders a cat, fish, bats, and spiders. These are more often found in Ming.....more

689/885
明仇英臨閻立本文姬歸漢圖 卷

明仇英臨閻立本文姬歸漢圖 卷

of the Ming, the figures throughout appear static and lifeless. Differing somewhat from Ch’iu Ying’s.....more

690/885

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