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符合的藏品

明仇英畫觀音 軸

明仇英畫觀音 軸

四大家之一。 波濤洶湧,雲氣騰騰,觀音大士於崖穴中結跏趺坐,持物-澡瓶及柳枝閒置石上。善財童子彎腰禮拜,十六羅漢或談、或走、或觀、或拜,體態生動。面部鈎畫雖簡,但仍能捕捉各個人物性格。&*Ch'iu.....more

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明陳洪綬喬松仙壽圖 軸

明陳洪綬喬松仙壽圖 軸

he chose the sobriquets Hui-ch’ih and Wu-chih. He was accomplished in the genres of figures.....more

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明周臣松窗對奕圖 軸

明周臣松窗對奕圖 軸

brush was sharp, strong, and refined; his style was followed by T’ang Yin and Ch’iu Ying.....more

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明文伯仁丹臺春曉圖 卷

明文伯仁丹臺春曉圖 卷

, 1997 ) 。嘉靖二十九牛(1550)繪「圓嶠書屋」, 嘉靖四二年(1563)繪「方壺圖」, 嘉靖四五年(1566)繪「秋山遊覽」 , p.4,p.I4. &*1.王耀庭,〈明文伯仁丹臺春曉圖〉,收入王.....more

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清石谿茂林秋樹 卷

清石谿茂林秋樹 卷

province. His family name was Liu and his style name was Chieh-ch’iu. Toward.....more

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明文徵明花卉 冊 寒香仙伴

明文徵明花卉 冊 寒香仙伴

are Shen Chou, T’ang Yin, and Ch’iu Ying). He was the pupil of Shen Chou, but there is a clear.....more

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明陳洪綬畫隱居十六觀 冊

明陳洪綬畫隱居十六觀 冊

-chih (Late for Repentance) following the fall of the dynasty, only to take the sobriquet Wu-ch’ih.....more

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明陳洪綬畫隱居十六觀 冊 品梵

明陳洪綬畫隱居十六觀 冊 品梵

of the Ming dynasty in 1644, he called himself Hui-ch’ih (Too Late to Regret) and Wu-ch’ih (Not Too Late.....more

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明仇英群仙會祝圖 軸

明仇英群仙會祝圖 軸

,各投以紙驢、玉版、鼓、竹罩、俱得渡。是謂八仙過海,各顯神通,依畫風為明末清初作品,非仇英。&*Group of Immortals Offering Blessings Ch’iu Ying (ca.....more

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明尤求書閣早梅 軸

明尤求書閣早梅 軸

; Ch'iu (style name Tzu-ch'iu, sobriquet Feng-ch'iu) was born in Soochow but lived in T'ai-ts'ang.....more

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明陳洪綬畫壽萱圖 軸

明陳洪綬畫壽萱圖 軸

the sobriquet Wu-ch’ih (Not Late) as well. His figure insect, and bird-and-flower paintings are all.....more

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明仇英臨閻立本文姬歸漢圖 卷

明仇英臨閻立本文姬歸漢圖 卷

”. Though the first and last work bear the seal and signature of Ch’iu Ying, one of the Four Masters.....more

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名畫琳瑯 冊 元黃公望雨巖仙觀

名畫琳瑯 冊 元黃公望雨巖仙觀

was Tzu-chiu; his sobriquets were I-feng, Ta-ch'ih tao-jen and Ching-hsi tao-jen. In landscape he.....more

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名畫琳瑯 冊 明仇英竹下聽泉

名畫琳瑯 冊 明仇英竹下聽泉

印,當出鑒藏者所定。竹樹雙鉤,人物俊秀。澗水用筆極生動,而清流遠引,曲折玲瓏,皆仇畫之出色當行者也。本幅選自「名畫琳瑯」冊。&*Ch'iu Ying was a native of Kiangsu.....more

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明史端木仿黃公望山水 軸

明史端木仿黃公望山水 軸

was in fact quite intelligent. Therefore, he chose the sobriquets Ch’ih-weng (Dotard), Ch’ih-hsien.....more

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