搜尋:He 在 繪畫 分類當中

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明文徵明關山積雪圖  卷

明文徵明關山積雪圖  卷

name was Pi, he is best known by his style name, Cheng-ming; his sobriquets include T’ing-yün.....more

1816/1853
明唐寅高士圖 卷

明唐寅高士圖 卷

by nature. He studied painting from Chou Chen but far surpassed him, becoming one of the Four Masters.....more

1817/1853
宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

。&The lohan sits with his back to a rock. His right shoulder is bare, and he.....more

1818/1853
舊洋畫羅漢 軸

舊洋畫羅漢 軸

his waist is a coarse cord, the Bible and scepter he originally held now replaced by a wooden staff.....more

1819/1853
元趙孟頫書畫孝經 卷

元趙孟頫書畫孝經 卷

and was enfeoffed as Duke of the State of Wei. His poetry and belles-lettres were excellent. He was also master.....more

1820/1853
宋元集繪 冊 元趙孟頫疏林秀石

宋元集繪 冊 元趙孟頫疏林秀石

name was Tzu-ang; his sobriquet was Sung-hsüeh tao-jen. During the Yüan dynasty he served.....more

1821/1853
歷朝名繪 冊 元趙孟頫調良圖 

歷朝名繪 冊 元趙孟頫調良圖 

and animals, orchids and bamboo, and horses. He emulated the works of Han Kan (ca. 715.....more

1822/1853
歷朝名繪 冊 宋馬和之古木流泉 

歷朝名繪 冊 宋馬和之古木流泉...

(modern Hangchow), was an official who also excelled at painting landscapes and figures. He is said.....more

1823/1853
藝苑藏真(下) 冊 宋林椿山茶霽雪

藝苑藏真(下) 冊 宋林椿山茶...

) was a native of Qiantang (modern Hangzhou) in Zhejiang. He served as a Painter-in-Attendance.....more

1824/1853
名賢妙蹟 冊 宋馬遠倚雲仙杏

名賢妙蹟 冊 宋馬遠倚雲仙杏

逞紅妍。」 &*Ma Yüan, whose style name was Ch’in-shan, came from Ho-chung, Shansi. He served.....more

1825/1853
歷朝名人圖繪  冊 無款遠水揚帆

歷朝名人圖繪  冊 無款遠水揚...

. Attended by a boy carrying a lute, a white-robed figure holding a staff approaches. He.....more

1826/1853
宋人書司馬光拜左僕射告身 卷

宋人書司馬光拜左僕射告身 卷

for several months before he passed away. Attached to the beginning of this certificate is a portrait.....more

1827/1853
明丁雲鵬白馬馱經圖 軸

明丁雲鵬白馬馱經圖 軸

年之繁細作風,而趨疏簡清逸之畫境。&*Ting Yün-p'eng was influenced by his father and came to enjoy painting. He.....more

1828/1853
宋范寬雪山蕭寺圖 軸

宋范寬雪山蕭寺圖 軸

his generous (K’uan) nature. In landscape painting, he initially followed the styles of Li Ch’eng (919.....more

1829/1853
宋郭熙山莊高逸 軸

宋郭熙山莊高逸 軸

. Although heavily influenced by Li Ch’eng, he nevertheless had his own style. Kuo Hsi authored.....more

1830/1853

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