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明唐寅畫金閶別意 卷

明唐寅畫金閶別意 卷

. The brushwork is generally centered. Though quick and free, it is also solid and strong. The style.....more

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明董其昌書千文 冊

明董其昌書千文 冊

'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai.....more

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明董其昌書杜詩 冊

明董其昌書杜詩 冊

style name was Hsuan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih.....more

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明唐寅花溪漁隱圖 軸

明唐寅花溪漁隱圖 軸

, Kiangsu province, T’ang Yin’s style names were Tzu-wei and Po-hu; his sobriquet was Liu-ju. He.....more

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明宣宗畫花下貍奴圖 軸

明宣宗畫花下貍奴圖 軸

and painting, and he was able to produce free and natural works. He can thus be compared to Emperor.....more

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明董其昌臨十七帖 卷

明董其昌臨十七帖 卷

) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known.....more

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清余省東籬秀色 軸

清余省東籬秀色 軸

and three-dimensional effect. The leaves are done with a free wash within their outlines.....more

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元明書翰第四十六冊 冊 徐渭書杜甫秋興八首

元明書翰第四十六冊 冊 徐渭書...

the style of the Sung calligrapher Mi Fu with his free and personal manner. “Eight Poems on Autumn.....more

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明唐寅高士圖 卷

明唐寅高士圖 卷

, and Liang K'ai. Due to a fire in 1650, only this section in the Liang K'ai style remains. The style.....more

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明董其昌書杜甫謁玄元皇帝廟詩 軸

明董其昌書杜甫謁玄元皇帝廟詩 ...

of Hua-t'ing, Kiangsu province. His style name was Hsuan-tsai and he was known by the sobriquet Ssu.....more

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明王守仁山水畫真跡 軸

明王守仁山水畫真跡 軸

was influenced by the landscape style of the Yuan painter Ni Tsan both in composition and technique.....more

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集古圖繪 冊 明陳惟允詩意圖

集古圖繪 冊 明陳惟允詩意圖

for a pure and understated style. He also did figure painting. This monochrome ink painting was inspired.....more

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明人畫扇(亨) 冊 明陸治溪畔雙鴨

明人畫扇(亨) 冊 明陸治溪畔...

, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He excelled.....more

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清惲壽平摹古 冊 山茶

清惲壽平摹古 冊 山茶

style of wash painting practiced by the Northern Song master Xu Chongsi (fl. latter half of 10th c.....more

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宋十二名家法書 冊 宋吳琚書識語並焦山題名

宋十二名家法書 冊 宋吳琚書識...

處的特色。整篇行氣,縱恣自如,自有一股瀟灑意氣。本幅選自「宋十二家法書」冊第十二幅。&*Wu Chü(style name Chü-fu; sobriquet Yün.....more

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