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符合的藏品
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明人畫扇 冊 明文伯仁江郭晴帆
江河、湖海 楊柳 房舍 城牆 帆船 旗 國立故宮博物院 石渠寶笈三編(乾清宮),第二冊,頁608&*故宮書畫錄(卷八),第四冊,頁164&* 此作為本院所藏文伯仁紀年畫作中最晚的一件,作於萬曆元年(.....more
- 946/1372
明張宏應真觀梅圖 軸
and pleasures. This is a depiction of Su Tung-p’o’s statement: “Aren’t the mountain colors the clean.....more
- 947/1372
清張若靄畫鎮海寺雪景 軸
to the Emperor’s inscription: “At the foot of T’ai-shan we turned back toward the Ch’eng-hua temple. Snow.....more
- 948/1372
清蔣溥摹文徵明玉蘭花 軸
in the upper right corner includes Chiang P’u’s transcription of three poems composed by the Ch’ien-lung.....more
- 949/1372
清張鵬翀春山出雲 軸
Chia-ting, today’s Shanghai. In 1727 he received his chin-shih degree, and was appointed minister.....more
- 950/1372
清董邦達楓谿觀瀑高宗御題 軸
to emphasize its sentiment. The mountains and peaks have been depicted using a dry brush, and Tung’s.....more
- 951/1372
清蔣廷錫畫楊梅練雀 軸
. Chiang’s use of such opulent colors was an innovation in court bird-and-flower painting at the time. .....more
- 952/1372
清王時敏松巖靜樂圖 軸
the essence of Huang Kung-wang’s brushwork. This painting, executed when the artist was 79 yeaers old.....more
- 953/1372
明仇英長夏江村圖 卷
selling points of Qiu Ying’s style. The use of the large rocky area to separate the village, combined.....more
- 954/1372
清張若靄繪圖高宗御筆秋花詩 軸
室仍以界畫,並摻用透視法工筆描繪。畫成於乾隆十一年(一七四六)。 &Illustration of Ch’ien-lung’s Poem on Autumn Flowers.....more
- 955/1372
清張鎬繪高宗御書范成大燒火盆行...
。 &*Illustration of the Poem ‘Lighting Braziers’ in the Emperor’s Calligraphy Chang Hao Ch’ing dynasty.....more
- 956/1372
清方琮松閣聽泉圖 軸
to the scene. Fang’s style differs considerably from the saccharine vulgarities of contemporary court.....more
- 957/1372
清錢維城雪浦歸帆圖 軸
A.D.) and Chang Keng (1785-1760 A.D.), studied bird-and-flower and figure painting with Ch’ien’s.....more
- 958/1372
清王原祁畫山水 冊 仿雲林山水
, the brushwork is in Wang’s personal style. This is truly a carefully executed painting. 本幅 34.1x27.7公分、全幅 70.....more
- 959/1372
宋趙令穰陶潛賞菊圖 卷
by Chao's hand; the figures, for example, are less than extraordinary. The colophons at the left.....more
- 960/1372