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符合的藏品

明趙左寒江草閣 軸

明趙左寒江草閣 軸

. The mountains, Chao Tso’s best feature, have been rendered first by modeling in pale washs, then have been.....more

856/1372
明鄭石畫芙蓉白鷺 軸

明鄭石畫芙蓉白鷺 軸

and Geese on a Bank in Autumn by Lü Chi, Cheng Shih’s composition is much more simplified. His.....more

857/1372
明陳淳畫重陽風雨圖 軸

明陳淳畫重陽風雨圖 軸

, chrysanthemums their scent abound.” This painting was done in 1544, the year of the artist’s death. Ch’en Ch.....more

858/1372
元王蒙秋林萬壑圖 軸

元王蒙秋林萬壑圖 軸

Character Classic,” used to accession Xiang Yuanbian’s collection, indicating that the work once.....more

859/1372
元劉貫道畫羅漢 軸

元劉貫道畫羅漢 軸

. On the painting is an inscription dated to 1356, but Liu Kuan-tao's period of activity appears not to have.....more

860/1372
元王蒙會阮圖 卷

元王蒙會阮圖 卷

is composed of mountain rocks all rendered in Wang Meng's commonly seen "tangled rope" texture stroke method.....more

861/1372
元倪瓚遠岫樹石圖 軸

元倪瓚遠岫樹石圖 軸

boat among the fishermen of rural Kiangsu. Ni Tsan's landscapes are characterized by a strongly.....more

862/1372
明唐寅雙松飛瀑圖 軸

明唐寅雙松飛瀑圖 軸

Liu-ju chü-shih’s Painting Manual, “I have discarded all my worldly possessions. All I ask.....more

863/1372
明錢穀畫鍾馗 軸

明錢穀畫鍾馗 軸

the people, who hung up his image at mid-year and year’s end to keep away evil spirits. This intriguing.....more

864/1372
明文徵明長松平皋圖 軸

明文徵明長松平皋圖 軸

in the artist’s later years. 本幅 132.7x65.8公分、全幅 93公分 類型:繪畫 型式:靜態圖像 文徵明 數位化執行單位:國立故宮博物院 明文徵明長松平皋圖 軸 故畫.....more

865/1372
明仇英寶繪堂 軸

明仇英寶繪堂 軸

to go there and appreciate Wang’s collection, Su even writing for him “Record of the Treasured.....more

866/1372
明關思放鶴圖 軸

明關思放鶴圖 軸

they please. In the evening they return.” Kuan Ssu’s painting may be an illustration of this story. 本幅.....more

867/1372
明陸治春山溪閣圖 軸

明陸治春山溪閣圖 軸

modeled with an oblique stroke resembling Ni Tsan’s (1301-1374) horizontal texture strokes. Mineral greens.....more

868/1372
明文伯仁溪山秋霽 軸

明文伯仁溪山秋霽 軸

Meng. However, the brushwork still shows traces of Wen Cheng-ming’s style. 本幅 154.9x32.....more

869/1372
元王蒙松山書屋 軸

元王蒙松山書屋 軸

and method of the inscription both exhibit the harmony of Wang Meng's awkwardly archaic and rounded.....more

870/1372

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