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符合的藏品

名繪集珍 冊 唐閻立德問道圖

名繪集珍 冊 唐閻立德問道圖

, and rocks is close to that of Li T'ang (ca. 1050-after 1130), but the painting is traditionally attributed.....more

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宋賢書翰 冊 宋薛紹彭詩帖

宋賢書翰 冊 宋薛紹彭詩帖

collection of calligraphy from the Chin and T'ang. He specialized in running, cursive, and regular script.....more

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清余省花卉 軸

清余省花卉 軸

蓋,朱白相映,時雖凍寒,却是生意盎然。 &* Yü Sheng, tzu (style name) Ts’eng-san, hao (sobriquet) Lu-t’ing.....more

153/910
清張廷彥中秋佳慶 軸

清張廷彥中秋佳慶 軸

群臣與樂工之伴隨下,賞秋月於樓台之上。畫風似以明院畫為楷模,但筆法略覺疎散。 &*The Mid-Autumn Festival Chang T’ing-yen (fl.1735-1749) Ch.....more

154/910
清金廷標畫?花壽石 軸

清金廷標畫?花壽石 軸

競放。四周綴以亂筆雜草,增添畫面生意。 &* Chin T’ing-piao was a native of Wu-ch’eng, Chekiang. He excelled as a figure.....more

155/910
清金廷標畫碧桃 軸

清金廷標畫碧桃 軸

境之感。 &* Chin T’ing-piao was a native of Wu-ch’eng in chekiang. His tzu (style name) was Shih-ku’ei.....more

156/910
清徐揚仿宋人畫天王像(二) 軸

清徐揚仿宋人畫天王像(二) 軸

and combined with the famed T’ang general Li Ching, known as Heavenly King Li Holding a Pagoda.....more

157/910
元人三羊開泰圖 軸

元人三羊開泰圖 軸

(the Book-of-Changes) is "T’ai-kua" or the Diagram of Prosperity; its symbol is 三三三. The three solid lines.....more

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明仇英畫帝王道統萬年圖 冊 湯

明仇英畫帝王道統萬年圖 冊 湯

of “Annals of Yin” in Records of the Grand Historian relates how King T’ang of the Shang saw somebody use.....more

159/910
明沈周蘇州山水全圖 卷

明沈周蘇州山水全圖 卷

such scenic sites around Soochow as T’ien-p’ing Mountain, Lion Mountain, Stone Lake, Ling-yen Mountain.....more

160/910
宋四家真蹟 冊 宋米芾書論書

宋四家真蹟 冊 宋米芾書論書

contents include a hint of criticism for the cursive script of such T'ang dynasty (618-907) calligraphers.....more

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五代後蜀滕昌祐牡丹 軸

五代後蜀滕昌祐牡丹 軸

。 &*T'eng Ch'ang-yu, a native of Wu (modern Chekiang province), followed Emperor Hsi-tsung (r. 874.....more

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宋四家真蹟 冊 宋黃庭堅致景道十七使君尺牘並和王仲至少監詠姚花詩四首

宋四家真蹟 冊 宋黃庭堅致景道...

澀進的頓挫,不過,刻意拉長的橫劃和化線為點還是充滿黃氏個人的風格。本幅為「宋四家真蹟」冊之三。&*Huang T'ing-chien was a native of Kiangsi who.....more

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五代梁關仝畫關山行旅 軸

五代梁關仝畫關山行旅 軸

,溪面橋梁,茅屋野店,雜以雞太驢豕之屬,客旅往來,宛然真景。 &*Kuan T'ung was a native of Ch'ang-an, Shansi. An I-chou has.....more

164/910
明唐寅品茶圖 軸

明唐寅品茶圖 軸

人,為調茗之事。山樹屋宇人物苔點,筆筆皆中鋒,而用淡墨烘染,極其厚潤。筆墨凝重守法,疑三十一歲所作,較騎驢歸思圖略先。&*1500/ T'ang Yin Sipping Tea/ Three.....more

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