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符合的藏品

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明周臣山亭納涼圖　軸

dynasty masters Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. Chou’s experienced brush.....more

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on the works of the Sung masters Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. Chou’s mature.....more

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Ying. His style was pivotal in transforming the calligraphic experiments of the Yüan masters.....more

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surpassed that of his master. This painting is a depiction of the T'ang scholars Lu Yüan-lang, K.....more

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藏「蕉陰結夏」可能原為同套四屏之一，是應項元汴所請而作，為裝飾廳堂之用。&*Pure Conversation Under Firmiana Trees Ch’iu Ying (ca. 1494.....more

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’ang, Liu sung-nien, Ma Yüan, and Hsia Kuei. His brushwork is experienced and close-knit, His.....more

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-nien, Ma Yüan and Hsia Kuei. Chou’s mature brush was refined, bold and vigorous. He transmitted.....more

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work. This handscroll has been traditionally attributed to an anonymous artist of the Yü.....more

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by his tzu. Yet another tzu was Cheng-chung; his hao (sobriquets) were T’ing-yün-sheng and Heng.....more

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-ch’ang and the Yüan dynasty landscapists. He is considered as one of the Four Wangs of the Ch.....more

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the capital during the Yung-lo era (1403-1424), where he served as Painter-in-Attendance at the Wu-ying.....more

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of Chu-jüng in Kiangsu Province, and served the Southern T'ang ruler Li Yü as Painter.....more

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