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符合的藏品

宋沈子蕃緙絲山水 軸

宋沈子蕃緙絲山水 軸

like a blue-and-green landscape. Volume and light are most difficult to suggest in tapestry.....more

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明仇英畫觀世音菩薩 軸

明仇英畫觀世音菩薩 軸

of volume. Although the seal and signature of Ch’iu Ying appear along the left border, the quality.....more

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明丁雲鵬畫莊嚴大士瑞像 軸

明丁雲鵬畫莊嚴大士瑞像 軸

have all been rendered with washes, imparting a sense of volume to the figure. Although the signature.....more

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明唐寅杏花 軸

明唐寅杏花 軸

of brushstrokes and ink tones. Rough texture strokes give the trunk volume. Rich ink is employed.....more

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清屈兆麟仿郎世寧花卉 冊

清屈兆麟仿郎世寧花卉 冊

reveal slightly less volume to the forms.&*1.王耀庭、陳韻如,〈清屈兆麟仿郎世寧花卉〉,收入王耀庭主編,《新視界 : 郎世寧與清宮西洋風》(臺北:國立故宮博物院.....more

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宋緙絲喜報生孫圖 軸

宋緙絲喜報生孫圖 軸

. This reinforces the sense of volume and texture of the stones, slope, leaves, and trunks. Among these, the cherry.....more

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清院本漢宮春曉圖 卷

清院本漢宮春曉圖 卷

opulent. Western painting techniques give the figures volume. This long handscroll shows the leisurely.....more

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清沈全墨牡丹 軸

清沈全墨牡丹 軸

wash, it has the effect of shading and volume suggestive of Western-style sketching. The square.....more

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明文徵明自書七言律詩 卷

明文徵明自書七言律詩 卷

at the Southern Altar,” found in volume ten of Collectanea of Fu-t’ien. The characters are quite.....more

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明朱芾揭缽圖 卷

明朱芾揭缽圖 卷

. This handscroll in monochrome ink is lively and varied; volume is suggested by light ink.....more

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宋李唐江山小景 卷

宋李唐江山小景 卷

added for modeling and volume. Furthermore, short lines express the texture of the rock facets.....more

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明夏昶清風高節圖 軸

明夏昶清風高節圖 軸

in painting the stone is somewhat heavier, giving it a sense of solidity and volume. The contrast between.....more

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明陳洪綬畫梅花山鳥 軸

明陳洪綬畫梅花山鳥 軸

of fullness and volume. The texture strokes of the rocks are also animated, making this work seem both.....more

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宋人山花墨兔 軸

宋人山花墨兔 軸

. Very fine lines of light and dark ink differentiate a sense of volume and suggest the fine hair.....more

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明人畫觀世音菩薩普門品經像 軸

明人畫觀世音菩薩普門品經像 軸

content of this volume is the Samanta-mukha Chapter of the Lotus Sûtra which is dedicated.....more

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