搜尋:tung ch 在 書畫 分類當中

符合的藏品

明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

藏此帖關中本,刻入戲鴻堂帖中,並於晚年一臨再臨,其臨本僅本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636.....more

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清錢維城雪浦歸帆圖 軸

清錢維城雪浦歸帆圖 軸

寫江岸雪意。主山山脈結構明晰,江天留白甚多,構圖予人疎朗之感。寫松樹,枯枝,造型簡單而有力。通幅筆墨精簡而效果鮮明。 &* A native of Wu-chin, Kiangsu, Ch’ien.....more

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董邦達柳浪聞鶯御題 軸

董邦達柳浪聞鶯御題 軸

at Swaying Willow Tung pang-ta (1699-1769) Ch’ing Dynasty Tung Pang-ta was a chin-shih degree holder.....more

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清張照書御製芝蘭曲 軸

清張照書御製芝蘭曲 軸

, and he was skilled in calligraphy. Chang Chao at first studied the calligraphy of Tung Ch'i-ch'ang.....more

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明董其昌秋林書屋圖 軸

明董其昌秋林書屋圖 軸

。 &* Tung Ch'i-ch'ang (style name Hsüan-tsai; sobriquet Ssu-po) was a native of Sungkiang, Kiangsu.....more

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清董邦達畫返照歸雲圖 軸

清董邦達畫返照歸雲圖 軸

,夕陽已映得滿江通紅。畫中以濕筆、枯筆皴擦,力求蒼潤之感。 &*Dispersing Clouds at Sunset Tung Pang-ta (1699-1769) Ch’ing dynasty.....more

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明顧正誼山水 軸

明顧正誼山水 軸

their spirit and marrow. Ssu-pai (Tung Ch’i-ch’ang, 1555-1636), in receiving instruction from me.....more

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清董邦達雲山圖 軸

清董邦達雲山圖 軸

paintings were strangely influenced by Tung Ch’i-ch’ang. He captured the brushwork and elegance of Y.....more

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元柯九思晚香高節 軸

元柯九思晚香高節 軸

. His style name was Ching-chung and his sobriquet Tan-ch'iu Sheng. He was well-versed in both poetry.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing.....more

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清董誥畫寶檻天香 軸

清董誥畫寶檻天香 軸

, the “king of flowers,” symbolizes wealth and auspiciousness. Tung Kao has used the unoutlined.....more

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清錢維城棲霞全圖 軸

清錢維城棲霞全圖 軸

the landscape styles of Wang Meng and Wang Yüan-ch’i and learned from Tung Pang-ta, becoming a leading.....more

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五代南唐巨然層巖叢樹圖 軸

五代南唐巨然層巖叢樹圖 軸

「礬頭」,仍是董巨派的特徵。另外,畫中使用淡墨,用以捕捉一抹雲嵐的氛圍,讓人想起煙雨江南,則不改其南方山水畫派的本質。&Chü-jan, a native.....more

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明董其昌臨張旭郎官壁記 軸

明董其昌臨張旭郎官壁記 軸

奧妙,求其神似於不似間。本幅臨張旭郎官壁記,略得張書之意,結體用筆,則見徐浩影響。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing.....more

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花卉畫冊 冊 明陳繼儒梅花

花卉畫冊 冊 明陳繼儒梅花

as famous as his contemporary, Tung Chi–ch’ang. Ch’en specialized in painting plum blossoms and bamboo.....more

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