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鏤繪集錦 冊 山果寒禽

鏤繪集錦 冊 山果寒禽

」第七幅。(童文娥)&*The multiple colors of silk thread in this tapestry stand out against the blue silk.....more

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宋緙絲荷花 軸

宋緙絲荷花 軸

background in this tapestry. Literary authors in ancient China considered the lotus as exemplifying.....more

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宋緙絲芙蓉雙雁 軸

宋緙絲芙蓉雙雁 軸

表現色系的深淺漸層暈染的效果。雙雁羽毛及水波紋皆較圖案化,但花葉生動自然,為宋代緙絲精品。&*Two wild geese rest on the shore in this tapestry.....more

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緙絲大壽字 軸

緙絲大壽字 軸

、蘭、桃、玫瑰、紫籐、綉球、水仙、海棠、靈芝諸卉。刻織勻密,絲光猶新。各花枝葉刻就,再以筆設色添染鈎勒細節,而用色淡雅,允屬佳製。&* Silk tapestry of character “Shou.....more

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宋緙絲喜報生孫圖 軸

宋緙絲喜報生孫圖 軸

, are seen below. In this work, the warp and weft threads were reversed, as opposed to an ordinary tapestry.....more

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清緙絲仙姝獻瑞圖 軸

清緙絲仙姝獻瑞圖 軸

objects for long life. The borders of the mounting are also done in tapestry and decorated.....more

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宋緙絲海屋添籌 軸

宋緙絲海屋添籌 軸

皆相似,此幅內容為另二幅的一半,山石及人物的部份都有破損,以筆添補。&* The title of this tapestry refers to the following legend; 3.....more

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宋緙絲蓉塘戲鷺 軸

宋緙絲蓉塘戲鷺 軸

鷺鷥 芙蓉 蓮荷 萱花 奇石 雲 國立故宮博物院 石渠寶笈三編(乾清宮),第二冊,頁672&*國立故宮博物院緙絲,黑白圖版27&*緙絲特展圖錄,頁40-41、98&*素地設色織,荷塘一隅,岸邊聳立湖.....more

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宋緙絲和鳴鸞鳳圖 軸

宋緙絲和鳴鸞鳳圖 軸

of the stiff feathers and soft down woven in this tapestry with great skill. &*1.童文娥,〈緙絲和鳴鸞鳳〉,收入童文娥主編,《緙絲風華.....more

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宋緙絲萱蓉芝秀圖 軸

宋緙絲萱蓉芝秀圖 軸

as a blessing for longevity. The weaving in this tapestry is compact and refined. Various “propping” color.....more

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宋沈子蕃緙絲山水 軸

宋沈子蕃緙絲山水 軸

like a blue-and-green landscape. Volume and light are most difficult to suggest in tapestry.....more

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鏤繪集錦 冊 鶺鴒

鏤繪集錦 冊 鶺鴒

onto a light ochre background in this tapestry depict a wagtail standing on a rock in a stream.....more

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宋緙絲歲朝花鳥 軸

宋緙絲歲朝花鳥 軸

further. The tapestry weaving method in this work is relatively simple, the patterns looser.....more

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鏤繪集錦 冊 鴨

鏤繪集錦 冊 鴨

, but the tapestry is still fine nonetheless. The “flinging” method was used to arrange the fluid.....more

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宋緙絲文石錦雞 軸

宋緙絲文石錦雞 軸

奇石 雉(錦雞.雉類) 百合花 蜀葵 石榴 白頭翁 國立故宮博物院 緙絲特展圖錄,頁42-43、98&*緙絲風華:宋代緙絲花鳥展圖錄,頁69-72&*國立故宮博物院緙絲,圖21&*淺藍地設色織。一對.....more

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