搜尋:style 在 書畫 分類當中

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明人便面集錦 冊 明陳栝芭蕉紫薇

明人便面集錦 冊 明陳栝芭蕉紫...

。有趣的是紫薇在芭蕉叢後,幾不見主幹,三主題在畫幅中央,成為三層式排列,花葉交錯,顯有刻意營造層次和深度感之意。(20110102)&* Chen Gua (style name Zizheng.....more

556/1640
明呂紀畫梅花山鳥 成扇

明呂紀畫梅花山鳥 成扇

from him. The camellia leaves and blossoms also follow the style in “Autumnal Egrets and Hibiscus.....more

557/1640
明呂紀畫游鵝圖 成扇

明呂紀畫游鵝圖 成扇

others, the sharp and relatively thin brushwork not in his style. Furthermore, the manner of the forms.....more

558/1640
宋元集繪 冊 宋林椿寫生海棠

宋元集繪 冊 宋林椿寫生海棠

, and fruits-and-vegetables using a light yet colorful style that was quite lifelike. This painting shows.....more

559/1640
宋林逋手札二帖 冊

宋林逋手札二帖 冊

之者。吳寬詠林書謂。果然遺墨似其人。如倚清風捫瘦竹。可謂善於形容矣。&*Lin P'u was a native of Ch'en-t'ang, Chekiang. His style name.....more

560/1640
明人集繪 冊 清姜泓梅花

明人集繪 冊 清姜泓梅花

is not recorded in the histories of painting. Judging from the style of his works, he must have lived.....more

561/1640
元人翰墨 冊 元柯九思書陸浚之皇極賦

元人翰墨 冊 元柯九思書陸浚之...

, Chekiang. His style name was Ching-chung and his sobriquet Tan-ch'iu Sheng. He was well-versed in both.....more

562/1640
明思宗書九思二字 軸

明思宗書九思二字 軸

today but it is said that he possessed an elegant and graceful style. These two characters "Chiu Ssu.....more

563/1640
宋元寶翰 冊 宋趙孟堅致嚴郎中太丞尺牘

宋元寶翰 冊 宋趙孟堅致嚴郎中...

-chien (style name Tzu-ku; sobriquet I-chai chu-shih) was a native of Wu-hsing, Chekiang. He.....more

564/1640
宋四家真蹟 冊 宋黃庭堅致景道十七使君尺牘並和王仲至少監詠姚花詩四首

宋四家真蹟 冊 宋黃庭堅致景道...

. In his early years, Huang studied the style of Chou Yueh (fl. ca. 1023-1048), but sought more ancient.....more

565/1640
花卉畫冊 冊 明沈周秋葵

花卉畫冊 冊 明沈周秋葵

; there is simply under-stated elegance and unembellished harmony. The style of the calligraphy is more regular.....more

566/1640
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

followed the plain style of the Sung scholar painters Mi Fu and Mi Yu-jen, Kao's majestic mountains.....more

567/1640
清宣宗御題畫馬 軸

清宣宗御題畫馬 軸

there is no artist’s signature, the style of this painting, shows the influence of the Jesuit painter.....more

568/1640
清金廷標絲綸圖 軸

清金廷標絲綸圖 軸

T’ing-piao, whose dates are not known, was a native of Wu-hsing in Chekiang. His style name.....more

569/1640
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

followed the plain style of the Sung scholar painters Mi Fu and Mi Yu-jen, Kao's majestic mountains.....more

570/1640

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