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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

and calligraphy. Not until aftter he was 41 when he served in office in the south did he begin to study.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

and calligraphy. Not until aftter he was 41 when he served in office in the south did he begin to study.....more

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唐李昭道湖亭遊騎 軸

唐李昭道湖亭遊騎 軸

his study of painting, which is why he was praised as “Lesser General Li”. This blue-and-green.....more

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宋郭熙早春圖 軸

宋郭熙早春圖 軸

Painting (Shan-shui hua-lun) in which he said that one should study the near.....more

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元人春山圖 軸

元人春山圖 軸

, “This Taoist refers to his own place of study, an area of residence in front of Wenbi Peak.” Since.....more

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明徐賁廬山讀書圖 軸

明徐賁廬山讀書圖 軸

there in Taoist cultivation and built a thatched hut for study (hence its name). It is also named K’uang.....more

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明戴進風雨歸舟 軸

明戴進風雨歸舟 軸

雨景 竹 茅草屋 篷舟 橋 傘 蘆葦 寒林.枯樹 行旅 農夫 江河、湖海 漁夫、船夫 國立故宮博物院 故宮書畫錄﹝卷五﹞,第三冊,頁294&*故宮書畫圖錄,第六冊,頁97-98&*1.〈明戴進風雨歸.....more

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明宣宗畫子母雞圖 軸

明宣宗畫子母雞圖 軸

to Secretary Yang Shi.” It also has a seal: “Study the Nature of Things to Acquire Knowledge.” Compared.....more

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清王翬臨范寬雪山圖 軸

清王翬臨范寬雪山圖 軸

study of tradition. Wang grasped the principles of the original composition, arranging the princip.....more

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明陸治練川草堂圖 卷

明陸治練川草堂圖 卷

to learning from Wen Cheng-ming, Lu Chih continued to study the style of the Yüan scholar-painter.....more

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清院本清明上河圖 卷

清院本清明上河圖 卷

), it is an invaluable source of study for Ming and Ch’ing society and customs.....more

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元人法書 冊 倪瓚書詩五則

元人法書 冊 倪瓚書詩五則

calligraphy was likewise unique and reflected ancient origins. Chao Meng-fu's study of Chin and T.....more

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明唐寅山水 卷

明唐寅山水 卷

Shen Chou to study with Chou Ch’en, i.e. when he was around 30 years old. It passed through.....more

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宋元寶翰 冊 宋高宗書七言律詩

宋元寶翰 冊 宋高宗書七言律詩

and Yüan Calligraphers. Kao-tsung's study of the styles of Huang and the Two Wangs.....more

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明邊文進歲朝圖 軸

明邊文進歲朝圖 軸

between solid and void. The brushwork is steady and mature, revealing the artist’s study of the style.....more

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