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符合的藏品

宋緙絲山水 軸

宋緙絲山水 軸

然,用的緯線色彩較不和諧,織紋鬆散平軟。人物的臉部、篷舟、樹葉及部份樹幹輪廓有墨筆鉤添。&*This silk tapestry is very similar to one.....more

16/95
清乾隆緙絲御製詩句篆書七言聯(一) 軸

清乾隆緙絲御製詩句篆書七言聯(...

to form a 7-character couplet in seal script done in black silk. The background includes many.....more

17/95
宋緙絲佛像 軸

宋緙絲佛像 軸

,深淺變化細緻自然。 &* This tapestry is made up of colored threads against a light silk background surrounded.....more

18/95
明吳圻緙絲沈周蟠桃仙 軸

明吳圻緙絲沈周蟠桃仙 軸

make up this silk tapestry copy of a painting of an immortal with a peach of longevity attributed.....more

19/95
宋劉松年絲綸圖 軸

宋劉松年絲綸圖 軸

silk; Liu has described the figures with a detailed yet forceful line and muted yet elegant color.....more

20/95
宋崔白蘆雁 軸

宋崔白蘆雁 軸

the richness and lustre of its feathers. The silk ground was lightly limned in light ink washes to further.....more

21/95
清張成龍仿張僧繇山水 軸

清張成龍仿張僧繇山水 軸

are directly applied to the silk without preliminary outlines. This painting derives its title from.....more

22/95
清屈兆麟仿郎世寧花卉 冊 辛夷海棠酒紅朱雀

清屈兆麟仿郎世寧花卉 冊 辛夷...

discernible difference lies in the quality of the silk. The exactness of the copy is indeed amazing.....more

23/95
清屈兆麟仿郎世寧花卉 冊 粉紅鸚嘴月季花

清屈兆麟仿郎世寧花卉 冊 粉紅...

discernible difference lies in the quality of the silk. The exactness of the copy is indeed amazing.....more

24/95
清線繡梵方圓成 冊 龍女受經

清線繡梵方圓成 冊 龍女受經

with color and then embroidered cursorily with silk thread. The fan and cushion were also first.....more

25/95
清線繡梵方圓成 冊 渡世慈航

清線繡梵方圓成 冊 渡世慈航

embroidered on this silk panel reveals an amalgamation of beliefs and visual forms from the Lotus.....more

26/95
元黃公望谿亭山色 軸

元黃公望谿亭山色 軸

Yuanbian (1525-1590) also appear to be spurious. At the left on the mounting silk is a colophon by Huang.....more

27/95
五代南唐顧德謙弄簫圖 卷

五代南唐顧德謙弄簫圖 卷

are masters unparalleled." This work is in colors on silk. The central figure lies on a bed. He.....more

28/95
宋人法書(三) 冊 宋吳說致大孝宣教尺牘

宋人法書(三) 冊 宋吳說致大...

strand of silk." Thus, this is an excellent late work by Wu Yüeh. 本幅 27.4x29.1公分 類型:書法 型式:文字 吳說 數位.....more

29/95
宋代帝半身像 冊 宋神宗

宋代帝半身像 冊 宋神宗

”. It was remounted in 1748 during the Ch'ing dynasty, covered on four sides with yellow silk.....more

30/95
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