搜尋:shou i 在 書畫 分類當中

符合的藏品

清陸恢仿北苑溪山圖 軸

清陸恢仿北苑溪山圖 軸

excelled at painting and calligraphy. He learned to paint landscapes from T’ao I-sun, and his early.....more

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名畫琳瑯 冊 明姚綬竹樹春鶯

名畫琳瑯 冊 明姚綬竹樹春鶯

鳥之形態,兼且得鳥之性情矣。此幅選自「名畫琳瑯」冊。&*Yao Shou was a native of Chekiang and served as an official. One of his.....more

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清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

to Shou-chu. He first came to the capital in 1751 and was summoned as a court painter. As a landscap.....more

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清惲壽平燕喜魚樂 軸

清惲壽平燕喜魚樂 軸

幅以沒骨法繪成,直接用色點染,再略加勾畫葉脈筋絡。全幅設色典雅,有脫俗的氣質。&* A native of Kiangsu, Yün Shou-p’ing was the leading.....more

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清張宗蒼畫雲崖錦樹 軸

清張宗蒼畫雲崖錦樹 軸

and Shou-chu. He excelled in landscape painting and was the student of Huang Ting (1660-1730) and Wan.....more

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清鄒一桂畫金英秋實 軸

清鄒一桂畫金英秋實 軸

墨鉤花點葉,再略加線條鉤畫花葉筋脈,極為柔和典雅,尚見惲氏餘韻。&* Tsou I-Kuei, a native of Kiangsu, excelled at fine-line paintings.....more

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宋錢選畫時苗留犢圖 卷

宋錢選畫時苗留犢圖 卷

(196-219) of the Eastern Han, Shih Miao was county magistrate of Shou-ch'un (modern Shou County.....more

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清王學浩山水畫冊 冊

清王學浩山水畫冊 冊

the landscape painting of Wang Yüan-ch’i and then further explored the styles of Sung and Y.....more

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清馬元馭畫花卉 冊 桑椹蠶蛾

清馬元馭畫花卉 冊 桑椹蠶蛾

was Fu-hsi and his sobriquets were Ch’i-hsia and T’ien-yü shan-jen. He excelled in birds.....more

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清鄒一桂畫墨梅 軸

清鄒一桂畫墨梅 軸

應皇帝旨意而畫,循規蹈矩不敢肆意放手,所以,作品多是用筆工整,用墨潔淨,著色穠艷,反失去一種平實眞率、自然生動的韻致。有時隨興戯筆的,卻有不少佳作。 &* Tsou I-kuei (tzu Y.....more

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清張宗蒼畫雪景御題 軸

清張宗蒼畫雪景御題 軸

Hüan-ts’un, Shou-chü) was a native of Wu-hsien, Kiangsu. In 1753 A.D. he presented.....more

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清宋駿業林亭煙岫 軸

清宋駿業林亭煙岫 軸

瀑布 雲 松 房舍 橋 亭 竹 江河、湖海 國立故宮博物院 石渠寶笈三編(御書房),第七冊,頁3163&*故宮書畫錄(卷八),第四冊,頁98&*故宮書畫圖錄,第十一冊,頁37-38&* 宋駿業,生年.....more

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清馬元馭花卉 冊 牡丹

清馬元馭花卉 冊 牡丹

-hsi; sobriquets Ch’i-hsia and T’ien-yü shan-jen) was the son of the Ma Mei and a native of Ch.....more

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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

屬宮廷應制而畫,作畫態度,循規蹈矩,不敢稍意逾越,因此,用筆工細,著色穠艷,特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao.....more

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清鄒一桂歲朝圖 軸

清鄒一桂歲朝圖 軸

品多為應制之作,循規蹈矩,故用筆工整,著色穠艷。此畫長青盆松,玉磬,寓意萬年吉慶。尚有梅瓶及四蟹緣瓶而升,諧音「四海昇平」之意。&* Tsou I-kuei was a native of Wu.....more

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