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明董其昌臨顏真卿書送蔡明遠序 ...
Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsü.....more
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清丁觀鵬畫唐明皇擊鞠圖 卷
. His work presents the classic model of Ch'ing court figure painting. This painting is a pai-miao.....more
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明董其昌臨十七帖 卷
方式,不盡依照原本,每有誤字漏字現象。結字大都拉長,筆法則多變方為圓,變鈍為尖。然形貌容或略有出入,右軍之瀟灑優雅,卻未減分毫。&*Tung Ch'i-ch'ang (1555-1636.....more
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明董其昌臨張旭郎官壁記 軸
奧妙,求其神似於不似間。本幅臨張旭郎官壁記,略得張書之意,結體用筆,則見徐浩影響。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing.....more
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清金廷標瑤圃採芝圖 軸
(tzu Shih-k’uei) was a native of Wu-ch’eng, Chekiang. Once when the Ch’ien-lung Emperor travelled.....more
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清金廷標吹簫召鶴 軸
銳的小斧劈皴。全幅頗受唐寅影響。 &* A native of Wu-ch’en, Chin T’ing-paio, tzu (style name) Shih-kuei, was a skilled.....more
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清金廷標松陰牧馬 軸
. He presented an album of Lohans painted in the pai-miao (outline drawing) style to the Ch’ien-lung.....more
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明宋旭雲巒秋瀑圖 軸
paintings in the Pai-ch’iieh monastery were considered exceptionally marvellous. This work was done in 1583.....more
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明董其昌倣張僧繇白雲紅樹 卷
、硃砂、汁綠和赭墨交相點畫,筆觸輕盈爽朗,施色鮮麗而不傷雅秀。幅末自題云:「張僧繇沒骨山,余每每倣之,然獨以此卷為愜意,蓋緣神怡務閒時所作耳。」其自許如此。 &* Tung Ch'i-ch'ang.....more
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清唐岱風雨歸舟圖 軸
-?) Ch’ing Dynasty T’ang Tai was a native of Manchuria, member of the Cheng-pai banner. His style name.....more
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