搜尋:light well 在 書畫 分類當中

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元馬琬喬岫幽居 軸

元馬琬喬岫幽居 軸

。&*Ma Wan, a native of Nanking, excelled at landscape painting as well as calligraphy and poetry.....more

16/76
明唐寅畫嫦娥奔月 軸

明唐寅畫嫦娥奔月 軸

of the West. After Ch’ang-o stole a sip, her body suddenly became light as air as she was taken.....more

17/76
名畫琳瑯 冊 元黃公望雨巖仙觀

名畫琳瑯 冊 元黃公望雨巖仙觀

; there is little use of ink dabs. The artist used light color and ink washes to complete the painting.....more

18/76
清王翬倣巨然夏山圖 軸

清王翬倣巨然夏山圖 軸

and shallow as well as light and dark ink, making the work appear even closer to the style of Ch.....more

19/76
清鄒一桂畫藤花芍藥 軸

清鄒一桂畫藤花芍藥 軸

degree in 1728 and went on to serve as Attendant Gentleman in the Ministry of Rites as well.....more

20/76
宋緙絲孔雀 軸

宋緙絲孔雀 軸

國立故宮博物院 緙絲特展圖錄,頁38-39、97-98 &*本幅設色亮麗而典雅,經緯組織結構精密。緙工技藝穩健有力,運梭如運筆,極得孔雀神韻,孔雀羽毛燦爛絢麗,用金線摻以各種色線織成,將孔雀羽毛華麗.....more

21/76
明夏昶清風高節圖 軸

明夏昶清風高節圖 軸

. The bamboo stalks are painted to show their upright straightness as well as flexibility. The leaves.....more

22/76
明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

. This is a painting of a plum tree rendered in light ink. Sun Chih used a fine brush to depict.....more

23/76
元趙孟頫重江疊嶂 卷

元趙孟頫重江疊嶂 卷

, and elegant. The work was first outlined in light ink and then built up with layers of ink and wash.....more

24/76
元人畫冬室畫禪 軸

元人畫冬室畫禪 軸

are all done with ink and light colors on silk. The depiction of ornamental rocks, clouds, and trees.....more

25/76
明劉原起畫雪景 軸

明劉原起畫雪景 軸

and painting, in which he excelled at landscapes. Shown here is an old well, behind which is erected.....more

26/76
明陸師道攜卷對山圖 軸

明陸師道攜卷對山圖 軸

was widely acclaimed. Executed in light color, this work depicts a scholar sitting beneath the shade.....more

27/76
元劉貫道畫羅漢 軸

元劉貫道畫羅漢 軸

the figures and drapery lines are cursorily painted and the brushstrokes are not well connected.....more

28/76
明趙左寒崖積雪 軸

明趙左寒崖積雪 軸

and ideas of Tung Yuan (fl. 937-976) as well as Ni Tsan (1301-1374) and Huang Kung-wang (1269-1354). Chao’s.....more

29/76
清惲壽平寫生花卉 冊 枝上霜氣

清惲壽平寫生花卉 冊 枝上霜氣

of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own interpretation as well.....more

30/76
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