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符合的藏品

元馬琬畫秋江釣艇 軸

元馬琬畫秋江釣艇 軸

and ink is spirited and the overall tone is refined. The artist's inscription on the upper left.....more

151/325
元王蒙長江萬里圖 卷

元王蒙長江萬里圖 卷

王蒙之名的作品。&*This handscroll as it unfolds from right to left reveals scenery along the Yangtze River.....more

152/325
宋人畫佛像 軸

宋人畫佛像 軸

to Buddha expound the law. The three-faced, six-armed male figure in the middle-left is Asura.....more

153/325
宋馬遠松間吟月 軸

宋馬遠松間吟月 軸

the entire painting with a misty atmosphere. Although the painting is signed “Ma Yuan” in the lower left.....more

154/325
明仇英畫移竹圖 軸

明仇英畫移竹圖 軸

of refined beauty. In the lower left is the signature "Made by Shih-fu (Ch’iu Ying)." Ch’iu Ying, one.....more

155/325
明仇英畫觀世音菩薩 軸

明仇英畫觀世音菩薩 軸

of volume. Although the seal and signature of Ch’iu Ying appear along the left border, the quality.....more

156/325
明戴進畫山水 軸

明戴進畫山水 軸

with the Li-Kuo style, forming the early Ming Che School style. In the mid-upper left is the artist’s.....more

157/325
明丁雲鵬畫莊嚴大士瑞像 軸

明丁雲鵬畫莊嚴大士瑞像 軸

; no detail of the clothing pattern has been left out. Furthermore, the exposed parts of the body.....more

158/325
明周之冕花竹鵪鶉 軸

明周之冕花竹鵪鶉 軸

on the left side of the painting offer a poetic dimension of appreciation for the viewer. 本幅 111.7x29.7公.....more

159/325
宋劉松年畫瑤池獻壽圖 軸

宋劉松年畫瑤池獻壽圖 軸

. A cliff rises on the left, topped by twisting pine trees. The Queen and the emperor sit.....more

160/325
明周臣山亭納涼圖 軸

明周臣山亭納涼圖 軸

, tower over a pavilion. Inside, a gentleman leans to his left, his right hand grasping a feather fan.....more

161/325
明唐寅杏花 軸

明唐寅杏花 軸

landscapes, figures, flowers, and birds. An isolated branch of spring apricot enters from the left edge.....more

162/325
元柯九思谿亭山色圖 軸

元柯九思谿亭山色圖 軸

on the bank. The distant mountain on the left side is dotted with heavy ink, representing mosses; layers.....more

163/325
明王諤瑞雪凝冬 軸

明王諤瑞雪凝冬 軸

on the lake. Much of the painting is left blank to indicate snow, and the rest is washed in ink.....more

164/325
明文徵明長松平皋圖 軸

明文徵明長松平皋圖 軸

rbank while in the background landscapes fade into a level distance. A great deal of the surface is left.....more

165/325

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