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符合的藏品

宋葉肖巖西湖十景圖 冊

宋葉肖巖西湖十景圖 冊

Chü-i and Su Shih, and are known for their scenery throughout the year. These are two.....more

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明董其昌臨十七帖 卷

明董其昌臨十七帖 卷

方式,不盡依照原本,每有誤字漏字現象。結字大都拉長,筆法則多變方為圓,變鈍為尖。然形貌容或略有出入,右軍之瀟灑優雅,卻未減分毫。&*Tung Ch'i-ch'ang (1555-1636.....more

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元方從義山水 冊

元方從義山水 冊

幅畫,左幅題句,間亦有無題者,幅內無作者名款,只鈐印記。各幅大抵先用散筆淡墨,再以較濃之墨隨意點綴人物景緻等,率略簡遠,韻致極高。&*Fang Ts'ung-i (style name Wu-y.....more

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清唐岱倣范寬畫幅 軸

清唐岱倣范寬畫幅 軸

Yüan-chi (1642-1715), he followed his own path using a pure and elegantly refined style.....more

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清唐岱秋林讀易圖 軸

清唐岱秋林讀易圖 軸

, modeling his landscapes after the style of Wang Yüan-chi (1642-1715). During the reign of the K.....more

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清鄒一桂畫墨梅 軸

清鄒一桂畫墨梅 軸

應皇帝旨意而畫,循規蹈矩不敢肆意放手,所以,作品多是用筆工整,用墨潔淨,著色穠艷,反失去一種平實眞率、自然生動的韻致。有時隨興戯筆的,卻有不少佳作。 &* Tsou I-kuei (tzu Y.....more

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清郎世寧畫松鳥 軸

清郎世寧畫松鳥 軸

of the emperor, and he served in the inner court during the K’ang-hsi (1662-1722), Yung-cheng (1723-1735.....more

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元陸廣仙山樓觀 軸

元陸廣仙山樓觀 軸

of light. The brushwork derives from the Kuo Hsi tradition. According to Tung Ch'i-ch'ang's.....more

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清王原祁仿李營丘筆意 軸

清王原祁仿李營丘筆意 軸

世。  本幅作於五十八歲,水墨畫雪景自謂仿李成,為王原祁傳世作品中較鮮見。畫中山石層疊,松林枯木參錯,森森鬱鬱,蒼涼荒率,一派嚴冬景象。 &* Wang Yűan-chi, a native.....more

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明劉原起靈巖積雪圖 軸

明劉原起靈巖積雪圖 軸

四世孫文柟楷書靈巖記。 &* Liu Yüan-chi was a native of what is now Soochow. Gifted at poetry and painting.....more

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清唐岱畫歸隱圖 軸

清唐岱畫歸隱圖 軸

painter, modeling his landscapes after the style of Wang Yüan-chi. During the K’ang-hsi reign.....more

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清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

; sobriquets Hsiao-shan, Jang-ch’ing and, late in life, Erh-chih lao-jen) was a native of Wu-hsi.....more

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清鄒一桂秋塘釣艇圖 軸

清鄒一桂秋塘釣艇圖 軸

。 &* Tsou I-kuei, style name Yüan-pao, sobriquets Hsiao-shan, Erh-chih, and Jang-ch’ing, was a native.....more

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清鄒一桂畫盎春生意 軸

清鄒一桂畫盎春生意 軸

知老人。雍正五年登進士,官至禮部侍郎加尚書銜。著有小山畫譜,工畫花卉,得自家學,作品特色,分枝布葉條暢自如,著色明淨,清雅冶艷兼而有之,惟平素皆應制之作,執規循矩,不敢逾越方圓之外。&*Tsou I.....more

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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

屬宮廷應制而畫,作畫態度,循規蹈矩,不敢稍意逾越,因此,用筆工細,著色穠艷,特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao.....more

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