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明吳彬畫十八應真 卷

明吳彬畫十八應真 卷

during the Wan-li era (1573-1620). He was good at painting Buddhist figures, the forms of which.....more

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集古名繪 冊 明李在圮上授書

集古名繪 冊 明李在圮上授書

,山石以側鋒皴染,人物被框圍於其間,衣紋描法勁健流利,樹葉則簡化為濃淡有致的苔點墨痕,用筆豪放恣肆,不拘細節。&*Chang Liang Receiving the Text Li Tsai.....more

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元趙孟頫書蘇軾西湖詩 卷

元趙孟頫書蘇軾西湖詩 卷

Wangs (Wang Hsi-chih [309-365] and Wang Hsien-chih) and Li Yung (678-747). They were combined.....more

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元人春山圖 軸

元人春山圖 軸

of Kuo Hsi. At the top of the scroll is an inscription by Yang Wei-chen. The brushwork is archaic.....more

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宋人松泉磐石 軸

宋人松泉磐石 軸

, are stylistically related to the Li Ch'eng-Kuo Hsi tradition of the Northern Sung. Behind.....more

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清沈荃書桃李園序 軸

清沈荃書桃李園序 軸

-hsi Emperor (r.1662-1722) was especially fond of discussing calligraphy with him, resulting in h.....more

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清高宗御臨蘇軾帖 軸

清高宗御臨蘇軾帖 軸

對象。本件清高宗雖以行書寫蘇軾〈硯銘〉,然而卻不見蘇軾特有的結字與豐腴的筆法,顯然是出於己意之作,仍可看出乾隆傳承自王羲之的書法風格。 &*Kao-tsung (Aisin Gioro Hung-li.....more

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唐閻立本畫蕭翼賺蘭亭圖 卷

唐閻立本畫蕭翼賺蘭亭圖 卷

(by Wang Hsi-chih, the calligrapher most admired by the Emperor). Among the five figures here, the simple.....more

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宋錢選煙江待渡圖 卷

宋錢選煙江待渡圖 卷

name Shun-chü; sobriquets Yü-t'an and Cha-hsi-weng) was a native.....more

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宋劉松年醉僧圖 軸

宋劉松年醉僧圖 軸

Hangchow, and was therefor called "Liu of Ch'ing-po" and " Liu of the Dark Gate." Durung the Ch'un-hsi.....more

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清王翬倣李營丘江干七樹圖 軸

清王翬倣李營丘江干七樹圖 軸

. With the supple brushwork, only the “crab-claw” branches at the left reveal the Li CH’eng and Kuo.....more

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五代梁荊浩匡廬圖 軸

五代梁荊浩匡廬圖 軸

to the form of representation in Li T'ang's “Windy Pines Among a Myriad Valleys” from 1124.....more

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宋李唐萬壑松風圖 軸

聲。 Li T'ang, a native of Ho-yang, is also said to have lived from about 1070 to after 1150. He.....more

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宋李唐萬壑松風圖 軸

聲。 Li T'ang, a native of Ho-yang, is also said to have lived from about 1070 to after 1150. He.....more

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