搜尋:hair style 在 書畫 分類當中

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明人畫幅集冊 冊 明朱承綵梨花白燕

明人畫幅集冊 冊 明朱承綵梨花...

-1374) and later after Wang Meng (1308-1385) and Huang Kung-wang (1269-1354). Hu Ch’i-k’un’s style.....more

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明丁雲鵬畫莊嚴大士瑞像 軸

明丁雲鵬畫莊嚴大士瑞像 軸

軸應該是一幅後人依據舊稿,但冒用丁雲鵬的名字所畫的作品。&*Kuan-yin's bluish hair is draped over the shoulders in this painting.....more

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明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

(Chekiang province), his style name was Ch’u-yang and his sobriquet Shih-men. In his later years he became.....more

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明張翀畫採芝仙 軸

明張翀畫採芝仙 軸

), while others state that he was from Chiang-tu (modern Yangchow). His style name was Tzu-yü.....more

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明董其昌論書 冊

明董其昌論書 冊

采理論,即收錄於此冊。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style.....more

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明董其昌論畫 冊

明董其昌論畫 冊

) was a native of Hua-t'ing, Kiangsu province. His style name was Hsuan-tsai and he was known.....more

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明丁雲鵬十八羅漢圖 卷

明丁雲鵬十八羅漢圖 卷

細如縷,柔韌有力。由此觀之,丁氏之作誠如畫史所言,「絲髮之間,而眉睫意態畢具」。 &*Ting Yün-p'eng (style name Nan-yü, sobriquet.....more

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清王時敏倣王蒙山水 軸

清王時敏倣王蒙山水 軸

of the Ch’ing Dynasty.” He was from T’ai-ts’ang, Kiangsu. His style-name was Hsün-chih, and his.....more

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清王翬倣王蒙秋山讀書圖 軸

清王翬倣王蒙秋山讀書圖 軸

略皴後,再施以枯筆牛毛皴,深得王蒙蒼鬱筆趣。成於壬申(一六九二),作者六十一歲。 &* Wang Hui (style name: Shih-ku; sobriquets; Keng-yen san.....more

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宋四家墨寶 冊 宋蔡襄書尺牘 

宋四家墨寶 冊 宋蔡襄書尺牘 

。(20061206)&*Ts'ai Hsiang, style name Chün-mo, was a native of Hsien-yu, Fukien. In his practice.....more

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清繡線瑤池上壽圖 軸

清繡線瑤池上壽圖 軸

) appears here. This work is actually part-embroidered, part-painted. The figures’ hair, for example.....more

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清東海馴鹿圖 軸

清東海馴鹿圖 軸

this work bears no seal or signature of the artist, it belongs to the style of Lang Shih-ning.....more

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元王振鵬寶津競渡圖 卷

元王振鵬寶津競渡圖 卷

fine line painting (chieh-hua). With brushstrokes as fine as hair, all the forms in his works.....more

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宋賈師古大士像 軸

宋賈師古大士像 軸

subject, Chia Shih-Ku followed the style of Li Kung-lin. His pai-miao (ink outline) figures have.....more

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元人夏景戲嬰 軸

元人夏景戲嬰 軸

with the Double Fifth festival and wears his hair in a topknot. Two boys in front of him carry.....more

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