搜尋:chou wen 在 書畫 分類當中

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明沈周畫瓶中蠟梅 軸

明沈周畫瓶中蠟梅 軸

厚重,予人一種質重有力、古趣盎然的感覺。後人將他與文徵明、唐寅、仇英尊為「明四大家」,合稱「沈文唐仇」。&*Winter plums in a Jar Shen Chou (1427-1509.....more

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五代周文矩水榭看鳧 冊頁

五代周文矩水榭看鳧 冊頁

是宋代時尚。方凳兩張左右並置,座面是棕藤編織物,腳足為如意形。另一側有一方桌,一面單棖,一面雙棖,上覆白巾,置一金銅香爐及書冊。 Chou Wen-chü was a Painter.....more

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明文徵明影翠軒圖 軸

明文徵明影翠軒圖 軸

,點線之美,可見用筆精警之甚。屋宇似曾用界,於文畫中殊不多見。玩其畫成三十年後題詠,軒中高冠一髯,似為文氏自寫照。&*The Emerald-shaded Studio Wen Cheng-ming.....more

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明文徵明松陰曳杖圖 軸

明文徵明松陰曳杖圖 軸

With a Staff in the Shade of Pine Trees Wen Cheng-ming (1470-1559) Ming Dynasty Wen Cheng-ming was a native.....more

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明錢穀畫杏花喜鵲 軸

明錢穀畫杏花喜鵲 軸

in depicting the bird’s feathers is evidence of the influence of Ming masters Shen Chou and Wen Cheng-ming.....more

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明文徵明赤壁圖 卷

明文徵明赤壁圖 卷

壁圖」十分相像,但筆墨卻不夠精到,可能是後人的仿作了。 The Red Cliff Attributed to Wen Cheng-ming (1470-1559) Ming Dynasty.....more

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明文徵明沈周唐寅仇英便面合裝冊 冊 明唐寅水墨山水

明文徵明沈周唐寅仇英便面合裝冊...

indicates a rejection of the styles of Shen Chou and Wen Cheng-ming. It was probably painted when T.....more

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清超揆杜牧詩意圖 軸

清超揆杜牧詩意圖 軸

'ao-k'uei (17th century) Ch'ing Dynasty Ch'ao-k'uei, who came from Ch'ang-chou in Kiangsu province.....more

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明文徵明自書詩帖 卷

明文徵明自書詩帖 卷

)及「聖教序」,結體蒼潤,宛若風舞瓊花,泉鳴竹澗。 本幅凡四十八行,共一四九字,寫燈花與焚香七絕二首,為八十一歲所作,字大如核桃,且筆畫蒼老,饒有黃庭堅餘意。 &*Wen Cheng-ming.....more

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明文徵明雪滿群峰 軸

明文徵明雪滿群峰 軸

very successfully the atmosphere’s icy purity. Wen Cheng-ming was a native of Ch’ang-chou in Kiangsu.....more

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明謝時臣倣李成寒林平野文徵明題長歌合卷 卷

明謝時臣倣李成寒林平野文徵明題...

. Wen Cheng-ming was a native of Ch’ang-chou, Kiangsu. Wen Cheng-ming’s original name was Pi, and his.....more

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明沈周溪橋訪友 軸

明沈周溪橋訪友 軸

紗帽策杖行橋上。對岸一山特起,方峻而皴筆無多。蓋自梅道人出。山陬林隙,寺宇微見屋脊。筆力蒼勁,墨色蒼潤,與早年乾筆細皴迥異其趣,而近於五十三歲之參天特秀圖。 &* Shen Chou.....more

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明文徵明朱竹 軸

明文徵明朱竹 軸

永字八法的筆法。&*Wen Cheng-ming, a native of ch'ang-chou in Kiangsu (modern Soochow), followed the style.....more

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明仇英臨宋元六景 冊 竹籬壓雪

明仇英臨宋元六景 冊 竹籬壓雪

Ying (style name Shih-fu, sobriquet Shi-chou) was from T'ai-ts'ang, Kiangsu. As a youth, he moved.....more

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明文徵明松下觀泉圖 軸

明文徵明松下觀泉圖 軸

learned painting from Shen Chou (1427-1509). Wen excelled at poetry, prose.....more

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