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唐吳道子寶積賓伽羅佛像 軸

唐吳道子寶積賓伽羅佛像 軸

淺染法,時稱「吳裝」。開後世人物畫典則,被尊稱「百代畫聖」。此像即世所謂北方天王,為盛唐以後最受尊奉之佛像之一。&*Wu Tao-tzu came from Yang-ch'u. He.....more

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明謝時臣畫山水 軸

明謝時臣畫山水 軸

Chih-ch’en, style name Ssu-chung, sobriquet Shu-hsien, was from Soochow, Kiangsu Province. He.....more

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明劉度山水 軸

明劉度山水 軸

Ying and copied paintings by Li Ssu-hsün, Chao Po-chü and other Northern Sung artists. He.....more

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明文徵明草書七言詩 軸

明文徵明草書七言詩 軸

of Ch’ang-chou, Kiangsu provice. When he was fifty-three, he went to Peking to serve as an academi.....more

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明張翀畫採芝仙 軸

明張翀畫採芝仙 軸

仙傲岸不群的神色形成一絕妙配搭。 &* Some sources state that Chang Ch’ung was a native of Chiang-ning (modern Nanking.....more

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名繪集珍 冊 五代周文矩按樂圖

名繪集珍 冊 五代周文矩按樂圖

,應為南宋院畫高手所作。仕女所坐朱漆方凳,席面藤編物,兩腿間巧妙形成壺門式輪廓,腿足為如意形。庭院設帳,橫杆較長,兩頭出挑上翹,飾有靈芝花飾,上搭掛有蓮花紋的綾緞布幔。 &*Chou Wen-ch.....more

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明郭詡東山攜妓圖 軸

明郭詡東山攜妓圖 軸

belonged to a convivial group of artists that included Wu Wei, Tu Chin and Shen Chou. In the Hung-chih.....more

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明人畫扇(亨) 冊 明陸治萬壑楓色

明人畫扇(亨) 冊 明陸治萬壑...

。   蘋香楓色,雲起江潭。虛亭中,橋頭上之高士以減筆繪成。山石紋理,以方折筆墨寫之,筆調老辣,是陸治晚年之作。本幅為「明人畫扇-亨」冊第十四開。 &*Lu Chih was a native.....more

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清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

; sobriquets Hsiao-shan, Jang-ch’ing and, late in life, Erh-chih lao-jen) was a native of Wu-hsi.....more

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清王時敏松巖靜樂圖 軸

清王時敏松巖靜樂圖 軸

of the Four Wangs of the Ch’ing dynasty, was from T’ai-ts’ang in Kiangsu. His tzu (style name) was Hsun-chih.....more

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清永瑢松壑層軒 軸

清永瑢松壑層軒 軸

-jen, was the sixth son of the Ch’ien-lung emperor and was conferred Prince Chih-chuang. He.....more

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清院本漢宮春曉圖 卷

清院本漢宮春曉圖 卷

Painters Ch’ing Dynasty (1644-1911) This scroll depicts the activities of the concubines and ladies.....more

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清鄒一桂畫盎春生意 軸

清鄒一桂畫盎春生意 軸

) Hsiao-shan, Jang-ch’ing, and in later years Erh-chih lao-jen. In 1727 he received his chin-shih.....more

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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

; his sobriquets were Little Mountain, Jang-ch’ing, and in his later years, Old Man Erh-chih. He.....more

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清鄒一桂秋塘釣艇圖 軸

清鄒一桂秋塘釣艇圖 軸

。 &* Tsou I-kuei, style name Yüan-pao, sobriquets Hsiao-shan, Erh-chih, and Jang-ch’ing, was a native.....more

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