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宋林逋手札二帖 冊 逋奉簡三君

宋林逋手札二帖 冊 逋奉簡三君

are represented by the powerful use of the brush. The tip of the brush has been used frequently.....more

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明人畫幅集冊 冊 明朱承綵梨花白燕

明人畫幅集冊 冊 明朱承綵梨花...

the broken rocks. The mountains and rocks have all been rendered with fine “ox-hair” texture strokes.....more

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元方從義山陰雲雪 軸

元方從義山陰雲雪 軸

, Kiangsi. His style name was Wu-yü; his sobriquet, Fang-hu. It has been said that lie.....more

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宋林逋手札二帖 冊 逋奉簡三君

宋林逋手札二帖 冊 逋奉簡三君

are represented by the powerful use of the brush. The tip of the brush has been used frequently.....more

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宋李唐畫四時山水 冊 江舟釣雪

宋李唐畫四時山水 冊 江舟釣雪

deep, cold water. The scene has been described in light washes of ink, both the river and sky.....more

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宋燕文貴三仙授簡 軸

宋燕文貴三仙授簡 軸

of the artist, it has been traditionally attributed to Yen Wen -kuei, a native of Wu-hsing who.....more

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元人畫夏墅棋聲 軸

元人畫夏墅棋聲 軸

。&*Eighteen scholars have been divided between four hanging scrolls of this set,each one containing four.....more

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元郭畀寫高使君意 軸

元郭畀寫高使君意 軸

distant mountains lies a temple. A large brush has been used to apply the light ink washes.....more

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元管道昇竹溪攬勝 軸

元管道昇竹溪攬勝 軸

by the stream, and a figure is seen walking over the bridge. Everything in the painting has been.....more

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明丁雲鵬畫莊嚴大士瑞像 軸

明丁雲鵬畫莊嚴大士瑞像 軸

; no detail of the clothing pattern has been left out. Furthermore, the exposed parts of the body.....more

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明王紱松亭高士圖 軸

明王紱松亭高士圖 軸

of this scenery a pavilion has been built. Two scholars face each other, scrolls spread out between them.....more

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明趙左寒江草閣 軸

明趙左寒江草閣 軸

. The mountains, Chao Tso’s best feature, have been rendered first by modeling in pale washs, then have been.....more

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明陸治春山溪閣圖 軸

明陸治春山溪閣圖 軸

in layers border the banks of a river, towering above pavilions by the water. The mountains have been.....more

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明唐寅燈霄閨話 軸

明唐寅燈霄閨話 軸

on a boat owned by Hsü Ching, who had been recommended for the metropolitan examination from Chiang.....more

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明趙汝殷風林群虎圖 卷

明趙汝殷風林群虎圖 卷

have been done in the Ming dynasty. If so, both paintings might have been done after the same.....more

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