搜尋:ai ch 在 書畫 分類當中

符合的藏品

五代南唐巨然秋山問道圖 軸

五代南唐巨然秋山問道圖 軸

。兩山交接處,多作長林雜樹,於莊嚴雄偉中,特饒山林煙靄之勝,是為其畫特色。 &*Ch'-jan was a native of the Kiangsu province and was a monk.....more

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元趙奕畫大士像 軸

元趙奕畫大士像 軸

'ai t'ung-tzu (Sudhana). He bows in humble reverence, requesting instruction from Kuan-yin.....more

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清郎世寧畫瑞? 軸

清郎世寧畫瑞? 軸

-1735), and Ch’ien-lung (1736-1795) reigns as a painter. He combined his previous training with studies.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

during the Shao-hsi reign period(1190-1195). He lived outside the Ch’ing-po gate so.....more

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明沈周江山清遠圖 卷

明沈周江山清遠圖 卷

the historian Ch’ien Hao-t’an (Ch’ien Fu), and he showed me two long handscrolls, one by Ma Yüan and one.....more

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明丁雲鵬白馬馱經圖 軸

明丁雲鵬白馬馱經圖 軸

also studied under Chan Ching-feng. The artist-critic Tung Ch'i-ch'ang praised his poetry.....more

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清王鑑倣黃公望煙浮遠岫圖 軸

清王鑑倣黃公望煙浮遠岫圖 軸

相類處,惟佈局略有鬆散之感。作於乙卯夏日,即康熙十四年(西元一六七五),圓照已至七十八高齡。 &* Wang Chien a native of T’ai-ts’ang, Kiangsu.....more

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清姚文瀚摹宋人文會圖 卷

清姚文瀚摹宋人文會圖 卷

appear real and three-dimensional. When Emperor T’ang T’ai-tsung (r. 627-649) was still Prince of Ch.....more

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明仇英春遊晚歸圖 軸

明仇英春遊晚歸圖 軸

布局雖源於南宋院畫,但取意則與明初戴進的「春遊晚歸」相近。惟仇作烘染細膩,人物情態生動,較戴進描寫更加細緻詳實。&*Ch'iu Ying, a native of T'ai-ts'ang.....more

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唐褚遂良書倪寬傳贊 卷

唐褚遂良書倪寬傳贊 卷

。 本幅書法筆意柔婉而富拙趣,歷代論者多認為是褚遂良晚年作品。近代學者則以其文中之避諱用字習慣,與唐代情況不類,而書體之用筆亦與褚書有所出入,結構較似歐體,認為是宋人臨寫。&*Ch'u Sui-liang.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

Meng-fu. He followed the styles of Wang Wei, Tung Yüan, and Chü-jan and established one.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

Meng-fu. He followed the styles of Wang Wei, Tung Yüan, and Chü-jan and established one.....more

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唐李昭道春山行旅圖 軸

唐李昭道春山行旅圖 軸

for Provisions of T'ai-yüan and in the Chi-hsien Hall. His landscape paintings followed.....more

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清王時敏倣黃公望浮嵐暖翠圖 軸

清王時敏倣黃公望浮嵐暖翠圖 軸

生動之致。益以墨采煥發,燥濕相宜。畫成於庚戌(西元一六七0年)為七十九歲所畫,是暮年得意筆。 &* Wang Shih-min was a native of T’ai-ts’ang, Kiangsu.....more

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元明人詞翰 卷 王逢書五言古詩

元明人詞翰 卷 王逢書五言古詩

. Late in life, in order to avoid disturbances in the area, he moved to Ch'ing-lung-chiang in Sung.....more

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