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宋燕文貴三仙授簡 軸

宋燕文貴三仙授簡 軸

served as Attendant (chih-hou) in the painting academy in the reign of Emperor T'ai-tsung (r. 976-997.....more

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元人畫春堂琴韻 軸

元人畫春堂琴韻 軸

to that of the Eighteen Scholars found in T'ang and Sung art. Emperor T'ai-tsung of the T'ang (r. 626-649) treated.....more

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元人畫麻姑獻壽 軸

元人畫麻姑獻壽 軸

is The Book of Immortals. In the Eastern Han, the immortal Wang Fang-p'ing descended to the Ts'ai Ching.....more

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元顏輝畫拾得子 軸

元顏輝畫拾得子 軸

and was known for his lively and unusual style. Shih-te was a T'ang dynasty monk of the T'ien-t'ai.....more

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元人畫觀音大士 軸

元人畫觀音大士 軸

was omitted to avoid the same one in the name of Li Shih-min (Emperor T'ai-tsung). In Journey to the West.....more

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宋趙伯駒畫海神聽講圖 軸

宋趙伯駒畫海神聽講圖 軸

Imperial house, being descended in the seventh generation from T'ai-tsu emperor. He excelled.....more

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宋趙伯駒停琴摘阮圖 軸

宋趙伯駒停琴摘阮圖 軸

-chu was the son of Chao Ling-jang and a seventh generation descendant of T'ai-tsu, the founder.....more

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宋趙伯駒春山圖 軸

宋趙伯駒春山圖 軸

, stylenamed Ch'ien-li, was the seventh generation grandson of Emperor Sung T'ai-tsu. He excelled in blue.....more

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明仇英畫移竹圖 軸

明仇英畫移竹圖 軸

of the "Four Masters of the Ming Dynasty," was from T’ai-ts’ang, Kiangsu. His style-name was Shih-fu.....more

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明文臺香象皈依圖 軸

明文臺香象皈依圖 軸

軀拉長,巨石造形怪異,菩薩衣紋和白象的皮褶又似平行的線條表現,頗具變形之趣。全作筆墨高古,富於變化。 &* Wen T’ai (style name Yün-ch’eng.....more

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明仇英脩褉圖 軸

明仇英脩褉圖 軸

體設色,若此學文徵明一派面目,筆墨淡雅者不常見。 &*Ch’iu Ying was a native of T’ai-ts’ang, kiangsu. Beginning his career.....more

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宋蘇漢臣灌佛戲嬰 軸

宋蘇漢臣灌佛戲嬰 軸

capital, K'ai-feng. He served in the Imperial Painting Academy during the late the Northern Sung Dynasty.....more

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元柯九思谿亭山色圖 軸

元柯九思谿亭山色圖 軸

種渾樸古拙的韻味。&*K'o Chiu-ssu was a native of T'ai-chou, Chekiang. His style name was Ching-chung, his.....more

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明仇英寶繪堂 軸

明仇英寶繪堂 軸

Paintings Hall”. Ch’iu Ying, a native of T’ai-ch’ang in Kiangsu, originally was a lacquer craftsman who.....more

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明錢穀惠山煮泉圖 軸

明錢穀惠山煮泉圖 軸

connoisseur Lu Yü called it “the second spring under heaven”. In the Sung, the renowned Ts'ai.....more

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