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符合的藏品

元王振鵬寶津競渡圖 卷

元王振鵬寶津競渡圖 卷

,曲盡其體,而神氣飛動。 本院藏王振鵬界畫手卷共三幅,而構圖略同,皆畫宋代習俗,農曆三月三日開放金明池,龍舟競渡,百戲雜陳。&*Wang Chen-p'eng, a native of Chekiang.....more

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元盛懋山水 軸

元盛懋山水 軸

nown as chieh (介) leaves. The texture strokes on rocks and mountains are of the type known as "long p.....more

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明周文靖雪夜訪戴 軸

明周文靖雪夜訪戴 軸

) Ming Dynasty Chou Wen-ching was a native of P’u-t’ien, Fukien. During the Hsüan-te reign (1426.....more

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明仇氏杜陵內史畫白衣大士像 軸

明仇氏杜陵內史畫白衣大士像 軸

's delicate and refined style. Her landscapes also possess a refined beauty. This work shows the P.....more

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明陸治梨花寫生 軸

明陸治梨花寫生 軸

name was Shu-p’ing; his sobriquet, Pao-shan-tzu. Free and easy of manner and noted for his integrity.....more

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明沈周參天特秀 軸

明沈周參天特秀 軸

to the inscription on Lin P’u’s calligraphy written three years earlier. The characters 我and 有.....more

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明吳彬仙山高士 軸

明吳彬仙山高士 軸

Wen-chung, was a native of P'u-t'ien in Fukien but moved to Nanking. During the reign of the Wan-li.....more

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明陸治端陽佳景 軸

明陸治端陽佳景 軸

style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. Lu excelled in poetry.....more

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明吳彬畫羅漢(第四嘎禮嘎尊者) 軸

明吳彬畫羅漢(第四嘎禮嘎尊者)...

) was a native of P’u-t’ien, Fukien, but later moved to Chin-ling (modern Nanking). Excelling at both.....more

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明丁雲鵬十八羅漢圖 卷

明丁雲鵬十八羅漢圖 卷

細如縷,柔韌有力。由此觀之,丁氏之作誠如畫史所言,「絲髮之間,而眉睫意態畢具」。 &*Ting Yün-p'eng (style name Nan-yü, sobriquet.....more

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元王振鵬龍池競渡圖 卷

元王振鵬龍池競渡圖 卷

)。&*Wang Chen-p'eng, native to Chekiang Province, was favored as a painter and served at court.....more

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明吳彬畫十八應真 卷

明吳彬畫十八應真 卷

-an) and was a native of P’u-t’ien, Fukien. He excelled at both painting and calligraphy and achieved fame.....more

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清院本漢宮春曉圖 卷

清院本漢宮春曉圖 卷

in this set. A cooperative effort by Sun Yu, Chou K’un and Ting Kuan-P’eng, it was commissioned.....more

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明吳彬羅漢 卷

明吳彬羅漢 卷

(style name; Wen-chung) was a native of P’u-t’ien, Fukien, but later moved to Chin-ling (modern Nanking.....more

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宋蘇軾書歸去來辭 卷

宋蘇軾書歸去來辭 卷

; sobriquet Tung-p'o chü-shih)was a native of Mei-shan, Szechwan. He was given the posthumous.....more

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