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明宣宗畫子母雞圖 軸

明宣宗畫子母雞圖 軸

敕賜輔臣楊時」,並鈐「物格致知」一印。但查對宣宗字跡,顯然非真,依其畫風論,可能為明代中晚期院中畫手所作。(20120407)&* Xuanzong’s achievements in art.....more

436/1397
明陳洪綬畫梅花山鳥 軸

明陳洪綬畫梅花山鳥 軸

perch for a wild bird. This unusual bird is more reflective of the artist’s own peculiar style than.....more

437/1397
明施餘澤拜石圖 軸

明施餘澤拜石圖 軸

to . He thereupon put on his official robes, took his official’s scepter, and bowed to the stone.....more

438/1397
明沈周溪橋訪友 軸

明沈周溪橋訪友 軸

texturing of Shen Chou’s early works. The style is close to that of “Virtue which Reaches to Heaven.....more

439/1397
明陸治練川草堂圖 卷

明陸治練川草堂圖 卷

-three, states that this work was painted for Chu Chi-fu. A river flows horizontally, leading one’s.....more

440/1397
宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

landscapes and figures from Chang Tun-li. Liu's paintings often are said to have.....more

441/1397
宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

(the facing leaf to Chao Ling-jang's painting; unpublished), and the three paintings.....more

442/1397
清畫院畫十二月月令圖六月 軸

清畫院畫十二月月令圖六月 軸

the heat can sap one’s energy, it is customary to rest if there is nothing urgent to do. Depicted here.....more

443/1397
唐褚遂良摹王羲之長風帖 卷

唐褚遂良摹王羲之長風帖 卷

。 (20081012)&*his work is a copy of Wang Hsi-chih’s (303-361) “Ch’ang-feng,” “Hsien-shih,” and “Ssu-chih.....more

444/1397
宋人法書(三) 冊 宋朱敦儒書尺牘

宋人法書(三) 冊 宋朱敦儒書...

at poetry and ballads while excelling at calligraphy. Chu's style involved slanted characters.....more

445/1397
宋元四家書 冊 元歐陽玄書五言古詩

宋元四家書 冊 元歐陽玄書五言...

in the Han-lin Academy. Ou yang-huuan's semi-cursive and cursive calligraphy bears some resemblance.....more

446/1397
元明人詞翰 卷 王逢書五言古詩

元明人詞翰 卷 王逢書五言古詩

Yu, also praising Yu’s son for the filial deed of compiling an anthology of his father’s poetry.....more

447/1397
明沈周畫郭索圖 軸

明沈周畫郭索圖 軸

. The style of the signature corresponds with Shen Chou’s calligraphy when he was about 70.....more

448/1397
清王原祁秋山圖 軸

清王原祁秋山圖 軸

a slight laxness. Only a few accent strokes on the mountain reveal the artist’s masterful control.....more

449/1397
清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

is small, it is extremely fine. Wang Yüan-ch’i’s simple yet beautiful use of the brush surpasses.....more

450/1397

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