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符合的藏品
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明李流芳畫唐人詩意 冊 韋應物...
-ting in Kiangsu, where he, T’ang shih-sheng, Lou chien, and Ch’eng Chia-sui (1565-1643) were called.....more
- 121/653
明項元汴善才頂禮 軸
landscapes were modelled after the Yüan masters Huang Kung-wang and Ni Tsan. He also turned his.....more
- 122/653
唐宋元畫集錦 冊 宋崔愨杞實鵪...
focuses on a quail and a mole cricket in a rustic setting. They were not outlined with a brush.....more
- 123/653
藝苑藏真（下） 冊 宋惠崇秋野...
for his small, intimate scenes. Some of his favorite themes were those of wintry rivers and distant.....more
- 124/653
紈扇畫冊 冊 宋李安忠竹鳩
leaves were first outlined in black ink and then were filled in with color. The outlining.....more
- 125/653
元趙孟頫書閒居賦 卷
were excellent. By the end of the Sung dynasty, there were few new calligraphic innovations. Chao.....more
- 126/653
清鄒一桂畫藤花芍藥 軸
was originally based on that of Yün Shou-p’ing (1633-1690). Since most Tsou’s works were.....more
- 129/653
清花卉畫冊 冊 清惲壽平花卉
intersect in riotous colors, the complex blossoms overlapping each other. The petals were done mostly.....more
- 130/653
明董其昌臨十七帖 卷
to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his.....more
- 131/653
清蔣廷錫畫歲朝圖 軸
, his paintings became more carefully executed and done only occasionally. His works were treasures.....more
- 132/653
宋錢選畫時苗留犢圖 卷
, flower-and-bird, and landscape. At the beginning of the Yuan dynasty there were eight men in Wu-hsing.....more
- 133/653
明諸臣書畫扇面冊頁 冊 明文徵...
orchids growing on a slope. The calligraphic lines were freely executed to depict the orchid leaves.....more
- 134/653
明文徵明自書七言律詩 卷
and prose, calligraphy, and painting, and many of his surviving works of calligraphy were in semi.....more
- 135/653