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明侯懋功倣元人筆意 軸

明侯懋功倣元人筆意 軸

之造型、用筆觀之,仍顯見文徵明之影響。 &* Very little is known about Hou Mou-Kung. He was a native of Wu-hsien (modern.....more

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明丁雲鵬畫釋迦牟尼佛 軸

明丁雲鵬畫釋迦牟尼佛 軸

his style from the T'ang master Wu Tao-tzu and his technique of outline drawing from Li Kung-lin.....more

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明劉原起靈巖積雪圖 軸

明劉原起靈巖積雪圖 軸

to the west of Soochow. In the Spring and Autumn Period at this site, King Wu had the Kuan-wa Palace built.....more

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明關思秋林聽泉 軸

明關思秋林聽泉 軸

Ssu was a native of Wu-ch’eng, Chekiang. His style name was Ho-ssu; his sobriquets were Hsü.....more

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明程嘉燧秋溪疊嶂 軸

明程嘉燧秋溪疊嶂 軸

influenced by Tung Ch’i-ch’ang’s style, which advocated revivalism against the complex Wu School.....more

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清王翬千巖萬壑圖 軸

清王翬千巖萬壑圖 軸

sobriquets were Keng-yen san-jen, Ch’ing-hui chu-jen, Wu-mu shan-jen, and Chien-men ch’iao-k’o. He.....more

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清王翬畫石磴林泉 軸

清王翬畫石磴林泉 軸

) Keng-yen san-jen, Wu-mu shan-jen and Chien-men ch’iao-k’o, was a native of Ch’ang-shu in Kiangsu.....more

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清王原祁仿倪瓚山水 軸

清王原祁仿倪瓚山水 軸

sees evidence of Wu Chen’s (1280-1354) style as well. Consequently, a deeply cheerful spirit resides.....more

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五代南唐巨然秋山圖 軸

五代南唐巨然秋山圖 軸

original. Unmistakable similarities with Spring Dawn over the River by Wu Chen (1280-1354) in terms.....more

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元胡廷暉蓬萊仙會圖 軸

元胡廷暉蓬萊仙會圖 軸

石綠之後,更染以金色,有著金碧輝煌的感覺,增加仙境的美妙。&*Hu T'ing-hui was a native of Wu-hsing, in Kiangsu province. He.....more

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明張宏應真觀梅圖 軸

明張宏應真觀梅圖 軸

常空境。 &* Chang Hung (style name Chün-tu, sobriquet Ho-chien) was a native of Wu county, Kiangsu.....more

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清張若靄畫鎮海寺雪景 軸

清張若靄畫鎮海寺雪景 軸

. 1580-1610 A.D.). In early winter 1646, an imperial entourage travelled to Wu-t’ai-shan.....more

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清弘?畫萬壑祥雲 軸

清弘?畫萬壑祥雲 軸

、王原祁祖孫的影響。不過,他用筆純是中鋒,線條粗重繁密,加上結構森嚴,特別能够表現山領的渾厚峻拔的氣勢。&* Hung Wu (tzu Shu-chai, Tsui-yü; hao I-ju.....more

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清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

; sobriquets Hsiao-shan, Jang-ch’ing and, late in life, Erh-chih lao-jen) was a native of Wu-hsi.....more

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清周禧畫羅漢(丙) 軸

清周禧畫羅漢(丙) 軸

as Buddhist images. She still continued painting even in her eighties. In 1670, Wu Lin, a scholar from.....more

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