符合的藏品

共找到 11 筆符合的資料

清蔣溥摹文徵明玉蘭花　軸

in the upper right corner includes Chiang P’u’s transcription of three poems composed by the Ch’ien-lung.....more

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, but later moved to Nanking. He was fond of living in the upper stories of buildings, and it was his.....more

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in the “boneless” (wash) style, he followed in the style of Yün Shou-p’ing (1633-1690). Pine branches.....more

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效果。古人為了模擬蝶翼黝黑的色澤，曾經嘗試用鍋底的黑煙來替代墨錠。本幅中的鳳蝶，便是一個例證。&* Wang Ch’eng-p’ei, a native of Anhwei province.....more

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, he gained great fame. He also claimed that he was the first finger-painter after Kao Ch’i-p’ei.....more

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the Shao-hsi period (1190-1195). He lived outside the Ch'ing-p'o Gate so people called him.....more

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of painting, authoring a book on painting theory, Hsiao-shan Hua-p’u. The branch of a flowering peach.....more

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Yen Hung-tzu (fl. 1736-1795) Ch’ing Dynasty Yen Hung-tzu (style name; P’i-hsü) was a native.....more

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painting was modeled after Chiang T’ing-hsi and influenced by Kao Ch’i-p’ei. For a period of time Li Shan.....more

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Ku-chai and Shih-chih chu-shih. A nephew of the great figure painting specialist Kao Ch'i-p'ei, he.....more

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” by the fingernail painter Kao Ch’I-p’ei (1672-1734). Compared with these two works, the techique in “Auspicious.....more

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