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符合的藏品

元倪瓚王蒙合作山水 軸

元倪瓚王蒙合作山水 軸

」,倪瓚照原畫仿作一幅贈送友人文伯,便是本幅。後王蒙在橘廣文處見此作品,並在畫上點綴增補,於是成了此幅合作山水。&*Ni Tsan, a native of Kiangsu, and Wang Meng.....more

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名人書畫扇(壬) 冊 明倪瑛坐看洗馬

名人書畫扇(壬) 冊 明倪瑛坐...

竹齋竹譜作画。   一人坐松樹下,觀圉人洗馬。畫法從周臣、唐寅一路而來,筆意瀟洒,亦有情趣。 &* Ni Ying, style name Po-yuan, was a native of Kun.....more

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明倪元璐題畫詩 軸

明倪元璐題畫詩 軸

生捐贈。 &*Ni Yüan-lu, a native of Shang-yü, Chekiang, was a Presented Scholar (chin-shih.....more

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花卉畫冊 冊 明項元汴竹石幽蘭

花卉畫冊 冊 明項元汴竹石幽蘭

to paint himself. He studied the landscape painting of Huang Kung-wang and Ni Tsan of the Yüan dynasty.....more

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元倪瓚江亭山色 軸

元倪瓚江亭山色 軸

。 秋林蕭瑟,坡岸縱橫,構景若星羅棋布,用筆用墨,渾然天成,但覺作畫之時,點擦皴染,筆筆若不相涉,而既成之後,則呼應靈動,關合甚嚴,所謂信手拈來,都成妙諦也,是雲林老年精品。七十二歲畫。&*Ni Tsan.....more

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元倪瓚畫竹 軸

元倪瓚畫竹 軸

。 竹一枝,蕭蕭數筆,清淡而娟美。款與王蒙具區林屋同,皆為日章畫。日章不知何許人,此幅題云:「沈君雅有臨池興。」或日章姓沈云。&*Ni Tsan's style-name was Yü.....more

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清惲向仿古 冊

清惲向仿古 冊

used ink sparingly so that they appear quite light and somewhat similar to the styles of Ni Tsan.....more

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元倪瓚容膝齋圖 軸

元倪瓚容膝齋圖 軸

較多,中鋒多於側筆,近坡皴多染少,皴筆亦特覺清勁。&*Ni Tsan (tzu Yüan-chen, hao Yün-lin, Yü-weng) was a native.....more

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元倪瓚江岸望山圖 軸

元倪瓚江岸望山圖 軸

,神似大痴。蓋雲林本學董源,而又幼於黃公望三十三歲,故不能無影響也。此畫本為贈行而作,受畫者由水路往會稽,故所畫係舟中望兩岸之景,受畫者為誰,已不可知。上款惟允二字,係畫商妄改,藉增此畫身價。&Ni.....more

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明陸治山水 卷

明陸治山水 卷

the styles of the Yuan scholar-artists Wang Meng and Ni Tsan, progress was even easier for him.....more

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集古圖繪 冊 元倪瓚畫竹石

集古圖繪 冊 元倪瓚畫竹石

七十歲。畫山石竹木,著意無多而筆墨極為秀挺,是雲林暮年精品。&*Ni Tsan was a native of Wu-hsi, Kiangsu. Naturally refined.....more

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元張雨題倪瓚像 卷

元張雨題倪瓚像 卷

style of Ni Zan. According to the inscription of praise by Zhang Yu, we learn that this is a portrait.....more

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元張雨題倪瓚像 卷

元張雨題倪瓚像 卷

style of Ni Zan. According to the inscription of praise by Zhang Yu, we learn that this is a portrait.....more

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元倪瓚雨後空林 軸

元倪瓚雨後空林 軸

的一件著色畫。構圖比起他尋常多留空白的習慣,要複雜許多,加上自己的題字,和別人寫的跋語,幾乎把全幅填滿了,確實是倪瓚風格裡難得的特例。&*Ni Tsan, a native of Kiangsu.....more

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明項元汴善才頂禮 軸

明項元汴善才頂禮 軸

landscapes were modelled after the Yüan masters Huang Kung-wang and Ni Tsan. He also turned his.....more

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