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宋李相東籬秋色圖　軸

viewing the blossoms from his low couch. The composition is quite dense. Hills rise up on all sides.....more

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at close-by. But seen from afar, the scenery is transformed into solid and hollow, high and low, far.....more

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in the Afterglow, for instance, cinnabar wash is used on the low sky beyond the distant ridges.....more

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and are lightly tossed about. A white egret wades against the flow, advancing low into the wind.....more

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napping on a low couch on the open porch. Winding paths thread the woods beyond, where storied pagodas.....more

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persimmon, and ruyi, symbolizing complete perfection. The center of gravity for the flower vase is low.....more

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green robe as he leans back on a low chair appreciating the beautiful scenery. On the table behind him.....more

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Kao-tsu (r. 618-626) had it built for his son, who was later enfeoffed as Prince T'eng. Tall and low.....more

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strong and inspired. With the main peak located in the center, clouds wrap around high and low.....more

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strong and inspired. With the main peak located in the center, clouds wrap around high and low.....more

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